John C. Reilly’s net worth is $45 Million. Also know about John C. Reilly’s bio, salary, height, age weight, relationship, and more …

John C. Reilly Wiki Biography

• John Christopher Reilly by and large called John C. Reilly has a normal net worth which is in excess of 45 million dollars. 
• John has gained his net worthas a performer and prankster which was allocated for an Academy Award. 
• Additionally, Reilly has added a ton of money into his net worthas a craftsman, screenwriter, and creator. 
• He has been dynamic in news sources since 1989 and, ordinarily, John C. Reilly’s net worth will be rising later on. 
• John Christopher Reilly was born to the world on May 24, 1965, in Chicago, Illinois, United States. 
• He proceeded onward from DePaul University. 
• John showed up on the big screen and opened his net worth account with a piece of PFC. 
• Herbert Hatcher in a war sensation film ‘Difficulties of War’ composed by Brian De Palma. 
• Subsequently, he appeared in films much the same as ‘No Angels’ (1989) facilitated by Neil Jordan, ‘Extensive stretches of Thunder’ (1990) facilitated by A tony Scott, ‘Area of Grace’ (1990) facilitated by Phil Joanou, ‘Shadows and Fog’ (1991) composed by Woody Allen, ‘Uncovered’ (1992) composed by Francis Veber, ‘Hoffa’ (1992) facilitated by Danny DeVito, ‘What’s Eating Gilbert Grape’ (1993) composed by Lasse Hallström, ‘Dolores Claiborne’ (1995) facilitated by Taylor Hackford, ‘Hard Eight’ (1996) created and composed by Paul Thomas Anderson, ‘Young fellows’ (1996) facilitated by Stacy Cochran and various motion pictures. 
• Since 1997 John’s acting has been more successful as he is a predictable applicant or victor of various distinctions. 
• His positions in the performance films ‘Boogie Nights’ (1997) and ‘Magnolia’ (1999) created and facilitated by Paul Thomas Anderson have brought him two Florida Film Critics Circle Awards and two tasks of the Screen Actor Guild Award. 
• A while later, he got various tasks for his positions in the motion pictures ‘The Anniversary Party’ (2001) made, made and composed by Jennifer Jason Leigh and Alan Cumming, ‘The Good Girl’ (2002) facilitated by Miguel Arteta, and ‘Gangs of New York’ (2002) facilitated by Martin Scorsese. 
• John Reilly has been hitched with Alison Dickey since 1992. 
• IMDB Wikipedia ‘A Prairie Home Companion’ ‘Misfortunes of War’ ‘Cyrus’ (2010) ‘Dolores Claiborne’ ‘Hard Eight’ ‘Domain of Grace’ ‘The Anniversary Party’ ‘The Good Girl’ ‘Walk Hard: The Dewey Cox Story’ (2007) ‘We’re No Angels’ “Bagboy” “Take a gander at It!” “with Dr. Steve Brule” “Extended lengths of Thunder” Academy Award Academy Award for Best Supporting Actor Alan Cumming Alison Dickey (m. 
• 1992) Biographical motion pictures Boogie Nights Brian De Palma Broadcast Film Critics Association Award for Best Cast Chicago Cinema of the United States Danny DeVito DePaul University DePaul University graduated class Film Florida Film Critics Circle Award for Best Cast Francis Veber Gangs of New York Golden Globe Award for Best Original Song Good Morning Vietnam Grammy Award for the tune “Walk Hard” Great Job! 
• Hoffa Jake Kasdan Jay Duplass Jennifer Jason Leigh John C. Reilly John Reilly Lasse Hallström Mark Duplass Martin Scorsese Mass media Miguel Arteta Mork and Mindy Neil Jordan Net worth New York Paul Thomas Anderson Phil Joanou Rob Marshall Robert Altman Robin William Robin Williams Sam Shepard Screen Actor Guild Award Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Sr. Taylor Hackford The Life of Reilly Tim and Eric Awesome Show Tony Scott Walk Hard: The Dewey Cox Story What’s Eating Gilbert Grape Woody Allen Worth 

John C. Reilly Quick Info

John C. Reilly Trademarks

1. Curly brown hair and large blue eyes

John C. Reilly Quotes

• [2011, on Carnage (2011)] Living in Paris, first of all, was amazing. I was there for about 10 weeks, altogether. It’s 90 minutes in real-time in one location with these four people. It was a really intense experience getting to know everyone. Intense in a good way. Jodie Foster plays my wife, Kate Winslet and Christoph Waltz are the other couples; luckily there wasn’t a diva in the bunch, Roman Polanski included because it would have been tough. The set was the size of two rooms. We were in there every day, all day, five days a week. Every character is in every minute of the script. There’s no time jumps at all.
• (2011) I don’t deliberately go into comedy or go into indies, but I do deliberately try to keep changing tact because I think that is the key to longevity in a career. To continually surprise people. It just gets boring if you start to do the same thing, it just gets boring on a personal level. I try to keep myself from being bored. I’m sort of a restless person, in general, so I try to do stuff that keeps me engaged.
• [2000] Hey, I’m just trying to become the Michael Caine/Gene Hackman of my generation.
• [on making Hard Eight (1996) (aka “Hard Eight”)] “Hard Eight” was like we billed somebody’s rich uncle and were getting away with some crazy scheme out in the desert and had to finish before anyone figured out what happened. Gwyneth Paltrow was fairly new in the movie business and it was exciting, all of us giddy with getting to know each other. We knew we were doing a good, original movie.
• [on making Days of Thunder (1990)] I love Tom Cruise and think he’s a great actor, but at the time it was all about working with Robert Duvall. That movie was a bizarre experience. I was coming off serious movies and suddenly there’s Don Simpson and Jerry Bruckheimer in their fucking heyday like “Sodom and Gomorrah”. It was a fall from grace for me as a young man to see the decadence of that movie and Hollywood at its most extreme — $100,000 parties and recruiting girls off the beach to come to be extras. It was nuts.
• [on his children] When they turn 21, if they want to be public people, they can be public people – until then, I’m going to shelter them.
• [2006 – On success] I’m still paranoid about money and that this can be the last one. I never get ahead of myself, thinking, ‘I’ve made it, baby!’
• I live on the east side of LA. I don’t think I could live in LA if I didn’t live on the east side. I want to live in a place that’s an accurate reflection of the world, you know? I want to see people of all races and economic backgrounds. I think one of the problems with Hollywood actors is that they fortify themselves in these castles on the west side, and I don’t know how you can really be a truthful actor if you’re not out learning about the human experience and getting to know all different people. And so I feel really lucky that I have that in the neighborhood that I live in.
• I view my strongest competition as myself. You’re always trying to top yourself, rather than worrying about what other people are doing.
• I love that people can’t place me. They don’t know my name. That’s ‘mission accomplished’ in my world.
• In Chicago it’s really a case of the play’s the thing – people are just so happy to be acting, you know? We were all actors – not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials. We might not have been paid very much, but we were doing what we wanted to do and I got a lot of experience that way, a lot of versatility, so I was ready when a big chance came along.
• I was a bit of a freak, but because I had a few older brothers I was afforded protection, and people just kind of let me join their gangs. I was a kind of Zelig figure, moving between different groups. I’d hang with the jocks, the burn-outs, the academic types and I could empathize with all of them. I was curious about all of them, but I know I never felt I fitted in with them, you know? It sounds odd saying it now, but I just wasn’t right there – until I started doing plays and then it was, like: “Ah, my people.”
• Not because I find fame difficult, but because I fear that if you’re too well known, you lose the ability to surprise your audience and that’s what I like my characters to do. I can still get away with it, I think. I mean, those kids in the lobby didn’t know my name and I did an interview yesterday where they looked very confused when I walked in. Turns out they were expecting Philip Seymour Hoffman, though they didn’t really know his name either – they just sort of said to me: ‘Have you lost weight and dyed your hair?”
• “The C stands for Christopher. You can blame the union for that. The Screen Actors Guild makes you do it if there’s another member with the same name. I wasn’t going to change my name, so I just included the middle one. It was a decision I had to make on Casualties of War (1989), my first film in 1989. I got a phone call and had to fly out to Thailand where Brian De Palma was shooting and it was a sudden decision, and I’m stuck with it. So I’m glad I didn’t go for a stupid and exotic-sounding name just to grab attention, or you could be talking to a man named Tallulah or something”.
• I grew up a Catholic and went regularly to church. When I decided to make acting my vocation, I used to joke that the theatre is my church now. But, especially doing live theatre, where you have to do eight performances in six days, you really have to kind of life like a monk. Then you go to this big, dark place and experience emotions, and it’s very spiritual.
• (On his reputation as “character actor” rather than leading man): I think there’s something about me…that people can relate to. And, you know, beauty can be its own prison.

John C. Reilly Important Facts

• Appeared in four films along with Sean Penn: Casualties of War (1989), We’re No Angels (1989), State of Grace (1990), and The Thin Red Line (1998).
• As of 2015, has appeared in five films that were nominated for the Best Picture Oscar: The Thin Red Line (1998), Chicago (2002), The Hours (2002), Gangs of New York (2002), and The Aviator (2004). Of those, Chicago (2002) is a winner in the category.
• Has frequently played a naive husband, oblivious to his wife’s resentment of him, in Chicago (2002), The Hours (2002) and We Need to Talk About Kevin (2011).
• Will play the iconic role of Stanley Kowalski in the Roundabout Theatre Company’s revival of Tennessee Williams’ “A Streetcar Named Desire”. [March 2005]
• His first plane ride was to Thailand to film Casualties of War (1989).
• He met his wife in Thailand while he was filming Casualties of War (1989), who, at the time, was Sean Penn’s assistant.
• In the tradition of Alan Young’s Filby from The Time Machine (1960), Reilly plays a teenager aged 14 in his forties – aged 41, for Walk Hard: The Dewey Cox Story (2007).
• Lost a few pounds to play the rock star title character in Walk Hard: The Dewey Cox Story (2007).
• Is a Chicago White Sox fan.
• Was a member of the dramatic jury at the Sundance Film Festival in 2005.
• In addition to having worked with Leonardo DiCaprio in The Aviator (2004), he has also worked with two other actors who played Howard Hughes: Jason Robards (from Melvin and Howard (1980)) in Magnolia (1999), and Tommy Lee Jones (from The Amazing Howard Hughes (1977)) in A Prairie Home Companion (2006).
• Graduated from Brother Rice High School on the South Side of Chicago.
• Was nominated for Broadway’s 2000 Tony Award as Best Actor (Play) for a revival of Sam Shepard’s “True West.”
• For not only his broad, almost 6′ 2″ frame, curly hair, and everyman’s mug, but also his straight-forward but thoughtful acting style, Reilly has frequently been dubbed “his generation’s Gene Hackman”.
• Director Antoine Fuqua wanted to cast him in his since-aborted crime epic “Tru Blu” with Denzel Washington and Benicio Del Toro.
• John’s father’s ancestry was three-quarters Irish, one-eighth German, one-sixteenth French-Canadian, and one-sixteenth Scottish. John’s maternal grandparents, Clemens Petronis and Veronica Strelciunas were Lithuanian. He is the fifth of six children.
• Made a home video of himself singing in a bow tie and suit for director Rob Marshall who gave him his role in Chicago (2002).
• In 2003, he starred in three out of the five movies nominated for Best Picture. They are Chicago (2002), Gangs of New York (2002), and The Hours (2002). All of these films were produced by Miramax Films.
• John is a wonderful singer who came out of musical theater background. He did all of his own singing in Chicago (2002).
• Attended DePaul University in Chicago.
• In April 2004, he left the filming of Manderlay (2005) to be replaced by Slovenian actor Zeljko Ivanek. According to a report in Entertainment Weekly, he did so to protest against the killing of a donkey during production.
• Originated the role of Marty in the 2002 musical “Marty” (book by Rupert Holmes, music by Charles Strouse, lyrics by Lee Adams), based on the 1955 movie Marty (1955).
• Received a Bachelor of Fine Arts degree from DePaul University’s Goodman School of Drama (Chicago) [1987]

John C. Reilly Filmography

John C. Reilly Awards