Yaphet Frederick Kotto

Yaphet Frederick Kotto net worth is $5 Million. Also know about Yaphet Frederick Kotto bio, salary, height, age weight, relationship and more …

Yaphet Frederick Kotto Wiki Biography

Yaphet Frederick Kotto, born on 15th November 1939 in New York City, USA, is an actor, best known to the world for his roles in films “Alien” (1979) as Parker, “Live and Let Die” (1973) as Bond`s enemy Kananga / Mr. Big, and as William Laughlin in the film “The Running Man” (1987), among other roles.

Have you ever wondered how rich Yaphet Kotto is, as of late 2016? According to authoritative sources, it has been estimated that Kotto`s net worth is as high as $5 million, earned through his successful career in the entertainment industry, during which he has appeared in more than 90 film and TV titles.

Yaphet is the son of Gladys Marie, who worked as a nurse and was also a U.S. Army officer, while his father was a Cameroon immigrant, Njoki Manga Bell, but who changed his name to Avraham Kotto. Yaphet researched his family roots, and found out that his father was crowned prince of Cameroon, but since it was a Republic that was unacceptable, so he had to flee. His whole family from his father`s side had royal roots and was quite rich.

Yapeth grew up in New York City, and enrolled at Actors Mobile Theater Studio when he was 16, and three years later made his acting debut in a production of “Othello”. He continued as a part of the Actors Studio in New York, and appeared on Broadway in “The Great White Hope” and several other productions. Kotto`s first screen role went uncredited, in the film “4 for Texas” (1963), but he then started building his name with roles in “Nothing But a Man” (1964) with Ivan Dixon and Julius Harris, “The Thomas Crown Affair” (1968) starring Steve McQueen and Faye Dunaway, and “5 Card Stud” (1969) starring Dean Martin. All of these films were quite successful, and certainly increased Yaphet`s net worth.

The `70s were quite fruitful for Yaphet, as he recorded several notable roles, which certainly marked his career; in 1972 he joined te cast of the film “Across 110th Street” with Anthony Quinn and Anthony Franciossa, and in 1973 he starred in Guy Hamilton`s “Live and Let Die” with Roger Moore as secret CIA agent James Bond. Three years later, he featured in Irvin Kershner`s Golden Globe-awarded action drama “Raid on Entebbe”, with Peter Finch and Charles Bronson. He finished the decade with two most recognizable roles, as Smokey in “Blue Collar” (1978), and as Parker in “Alien” (1979), increasing his net worth by a large margin.

Kotto continued successfully in the 1980s, appearing in numerous lead and supporting roles, but a few stand out, such as in Oscar-nominated “Brubaker” (1980) with Robert Redford, “Othello” (1980), “The Running Man” (1987) starring Arnold Schwarzenegger and Maria Conchita Alonso, and “Midnight Run” (1988, directed by Martin Brest and starring the likes of Robert De Niro and Charles Grodin.

The `90s didn`t change much, only a number of films and the amount of money on Yaphet`s bank account; he started the decade with a role in Gary Sherman`s Primetime Emmy nominated “After the Shock” (1990), and continued with an appearance in the film “The Corpse Had a Familiar Face” in 1994. A year before he was selected for the role of Al Giardello in the TV series “Homicide: Life on the Street”, which lasted until 1999, increasing further his net worth. He repeated his role in the TV movie “Homicide: The Movie” in 2000, and has made several appearances since the beginning of the new millennium, including in “Stiletto Dance” (2001), “Witless Protection” (2008), while in 2014 he lent his voice to Parker in the video game “Alien: Isolation.

Regarding his personal life, Yaphet has been married to Tessie Sinahon since 1998, who is his third wife. His first marriage was to Rita Ingrid Dittman, from 1962 until 1975, and they have three children. His second wife was Antoinette Pettyjohn, from 1975 until 1996; the couple have two children together.

IMDB Wikipedia $5 million 1939 1939-11-15 6′ 4″ (1.93 m) Actor Alien (1979) American Anthony Franciossa Anthony Quinn Arnold Schwarzenegger Avraham Kotto Charles Bronson Charles Grodin Dean Martin Director Faye Dunaway Fred Kotto Gladys Marie Guy Hamilton Homicide: Life on the Street (1993) Ivan Dixon James Bond Julius Harris Live and Let Die (1973) María Conchita Alonso New York New York City November 15 Peter Finch Rita Ingrid Dittman Rita Ingrid Dittman (m. 1962–1975) Robert De Niro Robert Redford Roger Moore Scorpio Steve McQueen Tessie Sinahon (m. 1998) The Running Man (1987) USA Writer Yaphet Frederick Kotto Yaphet Kotto Net Worth

Yaphet Frederick Kotto Quick Info

Full Name Yaphet Kotto
Net Worth $5 Million
Date Of Birth November 15, 1939
Place Of Birth New York City, New York, USA
Height 1.9 m
Profession Actor
Nationality American
Spouse Tessie Sinahon (m. 1998), Rita Ingrid Dittman (m. 1962–1975)
Children Fred Kotto
Parents Avraham Kotto, Gladys Marie
IMDB http://www.imdb.com/name/nm0001433/
Nominations NAACP Image Award for Outstanding Actor in a Drama Series, Primetime Emmy Award for Outstanding Performance By A Supporting Actor In A Comedy Or Drama Special
Movies Alien, Live and Let Die, Midnight Run, The Running Man, Across 110th Street, Truck Turner, Friday Foster, Brubaker, Witless Protection, The Thomas Crown Affair, Freddy’s Dead: The Final Nightmare, Blue Collar, The Star Chamber, Raid on Entebbe, The Monkey Hustle, 5 Card Stud, Nothing But a Man, The …
TV Shows Homicide: Life on the Street, For Love and Honor

Yaphet Frederick Kotto Trademarks

  1. Often plays police detectives and military officers

Yaphet Frederick Kotto Quotes

  • [on turning down the role of Captain Jean-Luc Picard in Star Trek: The Next Generation (1987)] I think I made some wrong decisions in my life, man. I should have done that but I walked away. When you’re making movies, you’d tend to say no to TV. It’s like when you’re in college and someone asks you to the high school dance. You say no.
  • [on Anthony Quinn and Across 110th Street (1972)] I can’t stop laughing about Mr. Quinn. He wouldn’t let me have anything. When I told him about how rough I had it as a kid in Harlem, he told me how he was hanged by the neck in Russia and left for dead. I told him I’d love to win an Academy award. “Don’t bother, I’ll lend you mine”. “You don’t know how rough it is coming up black in America”. “Listen Yaphet, until you have been a Mexican, you don’t know what rough means!” When we were shooting 110th in Harlem… I said to him: “Finally, I’m with my people”. “Your people? My great-grandmother was a slave in Alabama!”
  • If you’re a black actor, you really don’t have too many choices. If you keep turning things down, you might as well hit the unemployment office. If I didn’t sometimes take small parts in small films I wouldn’t get to play anything, and I do have to eat.
  • (On when he decided to become an actor) I was roaming around Manhattan looking for work; in fact I had just come from an employment center in New York called ‘Warren Street’ where you can buy a part-time job for about ten bucks. On this particular day I didn’t feel like delivering lunches, or pushing a dolly truck through lower Manhattan, so I went up to 42nd Street around Times Square, which at the time looked like a circus: porn theaters on one side of the street and b-movies on the other. I stopped before one particular theater and there were gangster photos all over the marquee. The movie must have cost about seventy-five cents, so I went in and sat down and saw On The Waterfront. I was so blown away after that day – it was Brando’s performance that made me leave the streets to become an actor.
  • (On Live and Let Die) There were so many problems with that script. I was too afraid of coming off like Mantan Moreland. I had to dig deep in my soul and brain and come up with a level of reality that would offset the sea of stereotype crap that Tom Mankiewicz wrote that had nothing to do with the Black experience or culture. The way Kananga dies was a joke, and well, the entire experience was not as rewarding as I wanted it to be. There were a lot of pitfalls that I had to avoid, and I did.
  • (On filming Alien) All of the scenes were challenging, particularly when you know you have to act against sets that were huge. The special effects determined where you could walk. Then you ask yourself how can you survive in acting against a monster. Will you be remembered? Ridley Scott was cool. He gave us a ninety-page outline detailing each of our characters and then he disappeared behind the camera. That’s how he directs; he operates his own camera. The Alien script was tight. It was one of the best scripts I have ever read, so there was very little improve.
  • (On filming Midnight Run) That was another difficult shoot. DeNiro is very spontaneous and it always helps to work with an artist like that. But Marty Brest! He shot so many takes of the scenes that I lost all joy in doing the film. It became hard and tedious work. Then he stopped eating during the shoot and became thinner and thinner each day, until he looked like a ghost behind the camera. When I met Marty at the Universal Studios with DeNiro, he looked healthy and strong, but as filming went on, he began to turn into someone you’d see in Dachau (Concentration Camp). It was weird. I got sick and for the whole of the film I had a fever and was under the weather for most of it. I was shocked when it came off so funny. It sure wasn’t funny making it.
  • (On Homicide: Life on the Street) I felt like I was a beggar doing Homicide. Begging to act. Begging for scenes. The writing was not obviously for me. It mainly focused on others. I went from a movie star playing leads to a bit player doing one line here and one line there. The rest of the week I would be hanging around Fells Point waiting to come in and do my one line. When I asked if they could write more for me to do, they’d say “You’re doing great. You’re the anchor of the show. “Anchor? I’m an actor, let me out!” I finally ended up writing for the show and gave myself something to do. Nine years of not acting.
  • I do have a favorite kind of director, which is the kind who allows me to create. Some haven’t allowed me to create and I think by doing that they don’t need an actor. They need a puppet.

Yaphet Frederick Kotto Important Facts

  • At age 33, he is the youngest actor to play a main Bond villain.
  • With the death of Joseph Wiseman on October 19, 2009, he is the earliest surviving actor to have played a main Bond villain. He played Dr. Kananga (Mr. Big) in Live and Let Die (1973).
  • He was the first black actor to play a Bond villain.
  • Along with Richard Belzer, Kyle Secor, Clark Johnson and Sharon Ziman, he is one of only five actors to appear in both the first and last episodes of Homicide: Life on the Street (1993): Homicide: Life on the Street: Gone for Goode (1993) and Homicide: Life on the Street: Forgive Us Our Trespasses (1999).
  • Resides in Baltimore, Maryland [August 2012]
  • He made guest appearances on both of the longest running prime time dramas in US television history: Gunsmoke (1955) and Law & Order (1990).
  • Spends the majority of his free time living in the Philippines.
  • Within a week of the divorce from his first wife Rita, he married Antoinette Pettyjohn.
  • Although he didn’t enjoy filming Midnight Run, the character of Agent Alonzo Mosley remains his favorite. He later played the same role for the film Witless Protection.
  • His parents divorced when he was 3.
  • Yaphet means beautiful in Hebrew.
  • His father, Njoki Manga Bell, was the great-grandson of King Alexander Bell, who ruled the Douala region of Cameroon in the late 19th century, before the nation fell into the hands of Germany and, later, France and Britain. Fleeing the Germans, Manga Bell emigrated to Harlem in the 1920s and changed his name to Abraham Kotto (the surname is from a relative).
  • Along with his wife, Tessie, they operate an artists retreat resort in Southern Leyte, Philippines called “The Running Man Institute,” which was founded in 2001 and is focused on working with people in the entertainment industry to build their creativity, as well as to relax and read up about holistic health.
  • Turned down the role of Lando Calrissian in ‘Star Wars Episode V: The Empire Strikes Back’ (1980). He feared that Lando would be killed in the movie, and that he would be forever typecast.
  • Campaigned for Steve Forbes during his bid for the Republican nomination for the Presidency in the 2000 primaries.
  • His father was a Cameroonian (African) Jew, and his mother, whose family was from Panama, converted to Judaism. In an interview, he said that being fully Black and Jewish gave other children even more reason to pick on him growing up in New York City. However, he remains a devout, practicing Jew.
  • Moved from Littleton, Colorado to Canada, because he felt it would be safer to live there. Two years after moving, he saw the news coverage on Columbine, and recognized some of the kids fleeing the school.
  • Has a Bay Area hardcore punk band named after him.
  • He is the son of a Cameroonian crown prince.
  • Oldest son, Fred, is a very successful San José Police Dept. California (USA) officer.

Yaphet Frederick Kotto Filmography

Title Year Status Character Role
The Park Is Mine 1985 TV Movie Eubanks Actor
Hill Street Blues 1985 TV Series Calvin Matthias Actor
Warning Sign 1985 Major Connolly Actor
Playing with Fire 1985 TV Movie Fire Chief Walker Actor
Women of San Quentin 1983 TV Movie Sgt. Therman Patterson Actor
For Love and Honor 1983 TV Movie Sgt. China Bell Actor
The Star Chamber 1983 Det. Harry Lowes Actor
The A-Team 1983 TV Series Charles ‘East-Side Charlie’ F. Struthers Actor
Fantasy Island 1983 TV Series Big Gus Belly Actor
Fighting Back 1982/I Ivanhoe Washington Actor
A House Divided: Denmark Vessey’s Rebellion 1982 TV Movie Denmark Vessey Actor
Othello 1980 Othello Actor
Rage! 1980 TV Movie Ernie Actor
Brubaker 1980 Richard ‘Dickie’ Coombes Actor
Alien 1979 Parker Actor
Blue Collar 1978 Smokey Actor
Roots 1977 TV Mini-Series Actor
Crunch 1976 TV Movie Crunch Actor
Raid on Entebbe 1976 TV Movie President Idi Amin Jr. Actor
The Monkey Hu$tle 1976 Daddy Foxx Actor
Drum 1976 Blaise Actor
Friday Foster 1975 Colt Hawkins Actor
Sharks’ Treasure 1975 Ben Flynn Actor
Report to the Commissioner 1975 Richard ‘Crunch’ Blackstone Actor
Truck Turner 1974 Harvard Blue Actor
Live and Let Die 1973 Kananga
Mr. Big
Actor
Across 110th Street 1972 Lt. Pope Actor
The Limit 1972 Mark Johnson Actor
Bone 1972 Bone Actor
Night Gallery 1971 TV Series Buckner (segment “The Messiah on Mott Street”) Actor
Man and Boy 1971 Nate Actor
Night Chase 1970 TV Movie Ernie Green Actor
Gunsmoke 1970 TV Series Piney Biggs Actor
The Name of the Game 1970 TV Series Wyman Jackson Actor
The Liberation of L.B. Jones 1970 Sonny Boy Mosby Actor
Daniel Boone 1968-1969 TV Series Jonah / Luke Actor
Mannix 1969 TV Series Gabe Johnson / Gabriel Dillon Actor
Hawaii Five-O 1969 TV Series Lance Corporal John T. Auston Actor
The High Chaparral 1968 TV Series Sgt. Major Creason Actor
Bonanza 1968 TV Series Child Barnett Actor
5 Card Stud 1968 Little George Actor
The Thomas Crown Affair 1968 Carl Actor
The Big Valley 1966-1967 TV Series Damien / Lobo Brown Actor
Tarzan 1967 TV Series Kesho Actor
Cowboy in Africa 1967 TV Series Musa Actor
Death Valley Days 1967 TV Series Abraham Actor
NBC Experiment in Television 1967 TV Series Actor
Nothing But a Man 1964 Jocko Actor
4 for Texas 1963 uncredited Actor
Alien: Isolation 2014 Video Game Parker (voice) Actor
Witless Protection 2008 Ricardo Bodi Actor
Stiletto Dance 2001 TV Movie Captain Rick Sands Actor
The Ride 2000 TV Movie Carter Actor
Homicide: The Movie 2000 TV Movie Al ‘Gee’ Giardello Actor
Homicide: Life on the Street 1993-1999 TV Series Al Giardello Actor
Law & Order 1997 TV Series Al Giardello Actor
The Defenders: Payback 1997 TV Movie Judge Williams Actor
Almost Blue 1996 Terry Actor
Two If by Sea 1996 FBI Agent O’Malley Actor
The Great War and the Shaping of the 20th Century 1996 TV Mini-Series Kaphe Kamar Actor
Out-of-Sync 1995 Quincy Actor
Deadline for Murder: From the Files of Edna Buchanan 1995 TV Movie Marty Talbot Actor
The Puppet Masters 1994 Ressler Actor
The Corpse Had a Familiar Face 1994 TV Movie Detective Martin Talbot Actor
Dead Badge 1994 Captain Hunt Actor
SeaQuest 2032 1993 TV Series Captain Jack Clayton Actor
The American Clock 1993 TV Movie Isaac Actor
Extreme Justice 1993 Larson Actor
It’s Nothing Personal 1993 TV Movie Lt. Riley Actor
Intent to Kill 1992 Video Captain Jackson Actor
Chrome Soldiers 1992 TV Movie Perry Beach Actor
The Trials of Rosie O’Neill 1991-1992 TV Series Kelly Actor
Civil Wars 1992 TV Series Judge Louis Decker Actor
Freddy’s Dead: The Final Nightmare 1991 Doc Actor
Hangfire 1991 Police Lieutenant Actor
After the Shock 1990 TV Movie William McElroy Actor
Father Dowling Mysteries 1990 TV Series Lt. Fleming Actor
Tripwire 1989 Lee Pitt Actor
Ministry of Vengeance 1989 Mr. Whiteside Actor
Prime Target 1989 TV Movie Gilmore Brown Actor
A Whisper to a Scream 1989 Jules Tallard Actor
The Jigsaw Murders 1989 Doctor Fillmore Actor
Midnight Run 1988 Alonzo Mosely Actor
Murder, She Wrote 1987 TV Series Lt. Bradshaw Actor
Perry Mason: The Case of the Scandalous Scoundrel 1987 TV Movie General Sorenson Actor
The Running Man 1987 William Laughlin Actor
Terminal Entry 1987 Col. Styles Actor
In Self Defense 1987 TV Movie Lt. Tyrell Actor
Desperado 1987 TV Movie Bede Actor
Tomorrow’s a Killer 1987 Harris Actor
Eye of the Tiger 1986 J.B. Deveraux Actor
Harem 1986 TV Movie Agha Kislar Actor
Alfred Hitchcock Presents 1985 TV Series Convict Actor
Badge of the Assassin 1985 TV Movie Detective Cliff Fenton NYPD Actor
Homicide: Life on the Street TV Series written by – 2 episodes, 1997 – 1998 teleplay by – 1 episode, 1999 Writer
The Limit 1972 story Writer
The Limit 1972 Director
The Limit 1972 producer Producer
Alfred Hitchcock Presents 1985 TV Series performer – 1 episode Soundtrack
Making Witless: The Cast on the Cast 2008 Video short special thanks Thanks
Freddy vs. Jason 2003 special thanks Thanks
King Cohen: The Wild World of Filmmaker Larry Cohen Documentary post-production Himself Self
I’m Mosley!: An Interview with Actor Yaphet Kotto 2016 Video short Himself Self
Making Witless: The Cast on the Cast 2008 Video short Himself Self
Inside ‘Live and Let Die’ 1999 Video documentary short Himself Self
TV Nation: Volume One 1997 Video documentary Himself Self
Biography 1996 TV Series documentary Himself Self
The World of James Bond 1995 TV Movie documentary Himself Self
TV Nation 1994 TV Series documentary Himself Self
Late Night with Conan O’Brien 1994 TV Series Himself Self
The Making of ‘Midnight Run’ 1987 TV Short Himself Self
Bond 1973: The Lost Documentary 1973 Documentary short Himself Self
Salute to Oscar Hammerstein II 1972 TV Special Himself Self
The David Frost Show 1970 TV Series Himself Self
The Joe Namath Show 1969 TV Series Himself Self
Le mec qu’on n’écoute jamais dans les films 2016 Short Archive Footage
Premium Bond with Mark Gatiss and Matthew Sweet 2015 TV Movie documentary Mr.Big Archive Footage
Cinemassacre’s Monster Madness 2007-2013 TV Series documentary Parker / Doc Archive Footage
Top Gear 2012 TV Series Mr. Big Archive Footage
Never Sleep Again: The Elm Street Legacy 2010 Video documentary Himself Archive Footage
Maquillando entre monstruos 2007 TV Movie documentary Parker Archive Footage
The Beast Within: The Making of ‘Alien’ 2003 Video documentary Parker / Himself Archive Footage
Best Ever Bond 2002 TV Movie documentary Himself (uncredited) Archive Footage
Baadasssss Cinema 2002 TV Movie documentary Himself Archive Footage
Twentieth Century Fox: The Blockbuster Years 2000 TV Movie documentary Parker Archive Footage
The Alien Legacy 1999 Video documentary Himself Archive Footage
Anatomy of a ‘Homicide: Life on the Street’ 1998 TV Movie documentary Lt. Al Giardello Archive Footage
Clay Pigeons 1998 Parker – ‘Alien’ (uncredited) Archive Footage
Hollywood Mavericks 1990 Documentary Smokey Archive Footage

Yaphet Frederick Kotto Awards

Year Award Ceremony Nomination Movie Category
1969 Bronze Wrangler Western Heritage Awards Fictional Television Drama The High Chaparral (1967) Won
1969 Bronze Wrangler Western Heritage Awards Fictional Television Drama The High Chaparral (1967) Nominated