Peter Weir net worth is $15 Million. Also know about Peter Weir bio, salary, height, age weight, relationship and more …

Peter Weir Wiki Biography

Peter Lindsay Weir, AM (/w??r/; born 21 August 1944) is an Australian film director. After playing a leading role in the Australian New Wave cinema with his films such as Picnic at Hanging Rock, The Last Wave and Gallipoli, Weir directed a diverse group of American and international films—many of them major box office hits—including the Academy Award nominees Witness, Dead Poets Society, Green Card, The Truman Show and Master and Commander. IMDB Wikipedia $15 Million 1944-08-21 Actor Ingrid Weir Peter Weir Peter Weir Net Worth Wendy Stites

Peter Weir Quick Info

Peter Weir Trademarks

1. His characters often interact with technology, especially television, in ways that harm them or surprise the viewer, e.g. the church big screen TV in The Mosquito Coast (1986); the living room TV and TV control center in The Truman Show (1998); radio playing in the barn in Witness (1985), and so on.

Peter Weir Quotes

• I don’t think I have any sort of master plan. I work intuitively.
• [interview] I’m still amazed how you can put your pen down and think not a line can be changed… You’ve finally got it right. You pick it up ten days later, and it’s all so bad.
• [on Picnic at Hanging Rock (1975)] You often do what you like yourself, and I like not knowing and not making sense. You can mix in certain sensitivities as a filmmaker. Hitchcock said whodunnits were the most difficult things because the ending is usually so disappointing. The butler did it? We had to create a style in which the audience didn’t want that ending. What interested me was the fact that people disappear every day, seemingly into thin air sometimes, and they’re never heard from again. It’s a particular kind of suspense for those left behind. And it’s very important in many cultures to bury the body and have a sense of closure when someone dies. We like closure. We want to go to the funeral. With disappearance, you never have that. Movies tie things up in an arbitrary length of time, but I have always liked things that aren’t fully realised. I loved Sherlock Holmes as a kid, but I remember being disappointed when he’d come up with these simple explanations for these complex mysteries. I was always fascinated by the mystery itself, as opposed to the answer behind it.
• What I can’t do is what I consider children’s films, infantile subject matter. The caped-crusader-type stuff is not for me…When I began making films, they were just movies.’What’s the new movie? What are you doing?’ Now they’re called ‘adult dramas’. Sounds like a porno film because the majority of the marketplace is devoted to children.
• [on Mel Gibson] Mel is the new Australian. He is going to be a very good star. He is quite different from the Australian everyone knows — the kind Rod Taylor represents.
• [on Harrison Ford] Harrison possesses magnetic qualities. He is capable of filling a room with his personality. If he’d been a plumber and came to fix your tap, he’s a person you’d notice. We provoke each other. It’s no cozy fireside chat.
• (Referring to the restroom murder scene in Witness (1985): It was the most violent scene I’ve ever filmed. I still wonder if it was too violent, but I did want to have an outrage over the violence that occured in front of those innocent eyes [of the Amish boy character].

Peter Weir Important Facts

• Holds a Law degree from the University of Sydney, one of the best-performing law schools in the world.
• Palm Beach, New South Wales, California [January 2009]
• The White Ribbon (2009) is one of his favourite films.
• He is an avid reader and three of his favorite books are Hope Against Hope by Nadezhda Mandel’shtam, My Century by Aleksander Wat and Freedom by Jonathan Franzen.
• He was awarded the A.M. (Member of the Order of Australia) in the 1982 Queen’s Birthday Honours List for his services to the Film Industry.
• Interviewed in “Directors Close Up: Interviews with Directors Nominated for Best Film by the Directors Guild of America”, ed. by Jeremy Kagan, Scarecrow Press, 2006.
• Directed 5 different actors in Oscar-nominated performances: Linda Hunt, Harrison Ford, Robin Williams, Rosie Perez and Ed Harris. Hunt won an Oscar for The Year of Living Dangerously (1982).
• Father of Ingrid Weir.
• He was a part of the movement dubbed the “Australian New Wave” by the press. They were a group of filmmakers and performers who emerged from Down Under at about the same time in the early 1980’s and found work in other parts of the world. Other members included actors Mel Gibson and Judy Davis and directors George Miller and Gillian Armstrong.
• Famous for making well-known comedy and genre actors into credible dramatic actors such as Harrison Ford, Robin Williams and Jim Carrey.
• His films often feature a key scene involving a main character fiddling with their radio.
• His films very often deal with people, who find themselves in surroundings, where they do not fit in (e.g. a Philadelphia Cop among the Amish, in Witness (1985), or a progressive teacher on a strictly conservative school, in Dead Poets Society (1989)).

Peter Weir Filmography

Peter Weir Awards