Mary Elizabeth Winstead net worth is $2 Million. Also know about Mary Elizabeth Winstead bio, salary, height, age weight, relationship and more …
Mary Elizabeth Winstead Wiki Biography
Mary Elizabeth Winstead is an American actress and recording artist. Winstead is known for her scream queen roles in the horror films: Final Destination 3, Black Christmas, Death Proof, The Thing, and Abraham Lincoln: Vampire Hunter, but has also branched out to other genres… IMDB Wikipedia $2 million 1984 5 ft 8 in (1.73 m) Actor Actors Film producer Mary Mary Elizabeth Winstead Mary Elizabeth Winstead Net Worth MEW North Carolina November 28 Riley Stearns Riley Stearns (m. 2010) Rocky Mount Singer United States United States of America
I don’t really just want to be the blockbuster star, and I don’t necessarily want to sign onto seven films in a role that I’m not really passionate about. Because I do really want to do films like Smashed (2012). That’s the majority of stuff I want to do. But unfortunately, you don’t get paid to do films like this. You get enough to go to a nice dinner. That’s basically the money that you get paid. So you do have to think about your career and making a living and how you’re going to do that. That’s kind of what I want to focus on, is always working with people with at least an independent point of view, even if it’s not an independent film.
I’ve realized you need to be ready for anything in this business and whatever comes your way you should be happy and grateful for it.
[on Quentin Tarantino] He was always imparting wisdom and telling stories. He gave me a lot of confidence in casting me in Death Proof (2007) and saying how much he believed in me. As an actor, you go through lots of dark periods of not working so being given that kind of confidence by someone of his caliber was a big boost.
My first paying job was guest-starring on Touched by an Angel (1994), when I was 12. It was very exciting. I couldn’t believe you got free food all day and people were so nice to you. I was the catty best friend of the girl who was being helped by the angel. I had a few bitchy asides. Looking back, I was absolutely awful, I have no idea how I got the part but I was hooked.
I always wanted to perform in some capacity since I was a kid–I was a ballerina, then a singer before acting. It segued into doing film and television work.
I want to do more independent films. I’ve always wanted to but I got my start in a Disney film [Sky High (2005)], then a horror film.
I don’t feel I’ve been typecast in terms of roles but the people who have noticed me have been the people who make those types of bigger studio movies. I had to take control of my career and put things into my own hands to get that indie film.
When the film first comes out I go on Rotten Tomatoes to see what people think. I was a little surprised by the hostility The Thing (2011) received from people who love the John Carpenter version. Everyone made the new film for sincere reasons and I believe it really stands up and is entertaining. It dovetails into the John Carpenter version perfectly.
I’m a big fan of horror films–there’s always something to be excited about and get invested in. Some of the first horror films I saw were The Shining (1980), Alien (1979) and Rosemary’s Baby (1968), which have become three of my favorite films ever.
[on The Thing (2011)] Luckily, we had things to react to on set; we weren’t reacting to tennis balls on sticks, which you sometimes get making special effects films. We had things to run away from–sometimes a half-finished version of what was later blended with CGI. It helped immensely.
[on Smashed (2012)] It was a 19-day shoot, so it was a bit of a whirlwind. It was great to do something small and character-focused.
Kate, from Smashed (2012), was probably one of the hardest characters to let go of. I loved playing her and living in that world with Aaron Paul. The last scene we filmed is actually the last scene in the movie, so it was sad on a bunch of levels.
It’s not the whiskers on the man, but rather the man beneath the whiskers.
It seems like when women are kicking ass it’s because we have some superpower. What’s so great about Ripley, from Alien (1979), is that she’s just a kick-ass woman. For younger women like myself growing up in the 1980s, to see something like that was really empowering so I really want to find roles like that for that same reason, so that other girls will be able to say, “Wow, she is a totally relatable woman who’s able to be strong and kick butt.”
Hollywood really still is a boys’ club, unfortunately. Everything is from a male perspective. When Bridesmaids (2011) came out it was like this huge revolution, the fact that here was a comedy about women and written by women. It’s sad that it had to be such a big deal. Even though there are amazing female directors and executives it is still really off-balance.
[on Death Proof (2007)] Immediately when I heard Quentin Tarantino was having a project, I just wanted to be a part of it in any way I possibly could, even before I read the script. So when I got the script, I was just so excited because there were eight strong female roles, and it’s so rare for me to read a script like that. I’m usually going through the entire thing trying to find what part I’m supposed to be playing because it’s so male oriented and driven.
[on Death Proof (2007), in which she was a cheerleader] I haven’t, no. I was never a cheerleader. It was funny, because we were asked to wear cheerleading outfits to the audition, and most of the other girls had them because they were cheerleaders at one point and had them hanging in the closet, somewhere. So I went and found this kind of retro-looking, pseudo-cheerleader outfit and it was pretty cool.
[on breaking into the indie film world with Smashed (2007)] It’s something I’ve been trying to do for years and years . . . It’s almost like my first movie in a weird way, ’cause it’s my first movie in this world, which is a world I’ve been trying to break into. [I’ve wanted] to be around filmmakers that are trying new things and not part of the system, so to speak, and they’re doing things on their own terms.
[on Scott Pilgrim vs. the World (2010)] I honestly don’t know if they are things that Bryan would want out there, so I’ll keep them quiet. But things about her family-she’s kind of a tragic figure in a way. She’s been through a lot, and that’s why she’s so guarded and mysterious.
I don’t pretend to know anything about anything when it comes to the business side . . . but I hope because of the way we handled the topic that these are people an audience will want to root for and hang out with.
[on trying to get involved in independent film] You know, it’s been really difficult for me a long time. I got my start doing studio films so I’ve worked my way backwards in a way because I always wanted to do independent films but I got my start in these genre horror-type things, and those were the people that noticed me. The independent world didn’t really notice me, so it’s been a real struggle trying to break into this sort of thing. I spent years being told by independent financiers that I wasn’t a big enough name to put in their films. I finally woke up one day, and I was like those aren’t the only kind of independent films that are being made, there are just people out there who want to make good films. And they don’t care how big the names are. It was during Sundance last year that I made that realization. And I finally made some calls and said introduce me to people at Sundance right now, introduce me to people because I want to be here next year, and it’s kind of amazing how it worked out. The first person I met was Jonathan Schwartz, who produced the film [Smashed (2007)] and it all worked out. Last year, he produced Like Crazy (2011) and I was like okay, I want to meet those people. And, luckily, he slipped me the script [for “Smashed”], and I did a tape, and I eventually met with James [James Ponsoldt] and I just feel really grateful that I was able to put this goal in front of me and it was realized. It’s kind of crazy.
[on what her favorite horror movie is] It’s a toss-up between The Shining (1980) and Rosemary’s Baby (1968). It’s probably “The Shining”; that one terrifies me more than any other film and has since I was a kid. Anytime it’s on TV, I’ll leave it on for the whole movie and I get so drawn into it. It’s just amazing.
I’m from North Carolina, where it’s all about greasy, fatty foods. I like having curves. It’s weird seeing girls who look like beanpoles. The more . . . famous girls get, the smaller they get . . . I consider myself a size 6 to be a pretty normal girl. I incorporate exercise into my daily routine . . . I recently started running and I do kickboxing DVDs, too. At the end of the day, the most important thing to me is being healthy and fit.
For some reason I never feared being typecast. I just take my roles based on the character, and the script, and the people that are doing the film and whether or not I think it would be fun to do the film. But as an actor you do want to challenge yourself and step outside what you have done in the past and that what I like to do, I like to jump around and try different things and stretch myself. I most likely won’t do horror for a while but it’s just because I’ve done it already and you move onto the next thing.
[on sex scenes]: I prefer to do a love scene with someone I’ve just met.
You don’t have to play masculine to be a strong woman.
[on what she is looking for in a man] I’d say someone who doesn’t take themselves seriously. That’s my biggest thing.
[on her career] I’ve been performing since I came out of the womb. I’ve been dancing and singing since I was a toddler. Acting seemed like a natural progression from that. I just started getting roles naturally because it was something I was interested in. I didn’t plan on taking it out to Hollywood.
[on the “Die Hard” series] I think they’re some of the best action movies ever made. Bruce Willis just brings such a great character to life, and John McClane is someone we can all relate to and root for. He’s so much fun to watch on screen. It’s iconic the character he’s created and it’s so much fun to be part of an iconic series.
Mary Elizabeth Winstead Important Facts
Drove a Volkswagen Jetta in 2 films Final Destination 3 and 10 Cloverfield Lane.
In October 2010 she married Riley Stearns in Austin, TX.
In July 2010 she announced her engagement to writer Riley Stearns in an interview on Spin.com and said she will be getting married in her fiancé’s hometown of Austin, TX, in October 2010.
Has a band under the name Got A Girl which consists of herself and Dan the Automator.
Was raised as a Southern Baptist.
Ranked #75 in FHM’s 100 Sexiest Women of 2008.
Voted by TC Candler’s 100 Most Beautiful Faces of 2008 [#100].
Lands at #13 in Portrait Mag’s Top 30 Under 30.
Favorite movies include Sunset Blvd. (1950), and Fargo (1996). Being a huge horror movie fan her favorites are Rosemary’s Baby (1968), Black Christmas (1974), Alien (1979), and The Shining (1980).
Ranked #17 out of 101 for Men’s Health ‘Hottest Women of 2011’.
Named as Hottest Girls of Comic-Con 2010.
Was featured as The Women Of GQ.
In 2009 she was chosen by Empire magazine as one of the 20 “young, talented, and really happening right now”.
Ranked #88 in FHM’s 100 Sexiest Women of 2009.
Ranked #10 on Maxim’s “Hottest Women of Horror Movies” list.
In 2007 she was chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#100).
She is a second cousin, three times removed, of actress Ava Gardner, through her paternal grandfather, Ambler William Winstead. Mary Elizabeth’s paternal great-great-great-great-grandparents, William Gardner and Cynthia Eliza Batts, were also Ava’s paternal great-grandparents.
Enjoys cooking, dancing, and singing.
Born to James Ronald Winstead and his wife Betty Lou Knight.
Has three older sisters and an older brother.
Mary Elizabeth Winstead Filmography
Title
Year
Status
Character
Role
So It Goes
2016/I
Short post-production
Samantha
Actress
Fargo
2017
TV Series
Nikki Swango
Actress
Mercy Street
2016-2017
TV Series
Mary Phinney
Actress
BrainDead
2016
TV Series
Laurel Healy
Actress
Brad Neely’s Harg Nallin’ Sclopio Peepio
2016
TV Series
Guest Star
Actress
10 Cloverfield Lane
2016
Michelle
Actress
The Hollars
2016
Gwen
Actress
Swiss Army Man
2016
Sarah
Actress
The Returned
2015
TV Series
Rowan Blackshaw
Actress
Exposed
2015
TV Movie
Anna Loach
Actress
Kill the Messenger
2014
Anna Simons
Actress
Alex of Venice
2014
Alex
Actress
Faults
2014
Claire
Actress
Got a Girl: Did We Live Too Fast
2014
Video short
Wife
Actress
A Good Day to Die Hard
2013
Lucy
Actress
A.C.O.D.
2013
Lauren
Actress
The Spectacular Now
2013
Holly
Actress
Casque
2012
Short
Girl
Actress
A Glimpse Inside the Mind of Charles Swan III
2012
Kate
Actress
The Beauty Inside
2012
TV Mini-Series
Leah
Actress
Abraham Lincoln: Vampire Hunter
2012
Mary Todd Lincoln
Actress
Smashed
2012
Kate Hannah
Actress
Magnificat
2011
Short
Lynn
Actress
The Thing
2011/I
Kate Lloyd
Actress
Cost of Living
2011
Short
The Computer (voice)
Actress
Brie Larson: Black Sheep
2010
Video short
Ramona Flowers
Actress
Scott Pilgrim vs. the World
2010
Ramona Flowers
Actress
Make It Happen
2008
Lauryn
Actress
Gag Reel
2007
Video short
Lucy McClane (uncredited)
Actress
Live Free or Die Hard
2007
Lucy Gennaro McClane
Actress
Death Proof
2007
Lee
Actress
Grindhouse
2007
Lee (segment “Death Proof”)
Actress
Factory Girl
2006
Ingrid Superstar
Actress
Black Christmas
2006
Heather Fitzgerald
Actress
Bobby
2006
Susan
Actress
Final Destination 3
2006
Wendy Christensen
Actress
Sky High
2005
Gwen Grayson
Royal Pain
Actress
Checking Out
2005
Lisa Apple
Actress
The Ring Two
2005
Young Evelyn
Actress
Monster Island
2004
TV Movie
Maddy
Actress
Tru Calling
2004
TV Series
Bridget Elkins
Actress
Then Came Jones
2003
TV Movie
Rina
Actress
Wolf Lake
2001-2002
TV Series
Sophia Donner / Sophia Kohanek
Actress
Passions
1999-2000
TV Series
Jessica Bennett
Actress
Father Can’t Cope
2000
TV Movie
Tara
Actress
The Long Road Home
1999
Annie Jacobs
Actress
Promised Land
1998
TV Series
Chloe
Actress
Touched by an Angel
1997
TV Series
Kristy Cordis
Actress
Faults
2014
producer
Producer
The Cub
2013
Short executive producer
Producer
Magnificat
2011
Short executive producer
Producer
Money Monster
2016
writer: “Da Da Da”
Soundtrack
Scott Pilgrim vs. The World vs. Funny or Die
2010
Video short
Herself
Self
Analog Hero in a Digital World: Making of ‘Live Free or Die Hard’
2007
Video documentary
Herself
Self
The Late Late Show with Craig Ferguson
2007
TV Series
Herself – Guest
Self
Guys Choice
2007
TV Movie
Herself
Self
May All Your Christmases Be Black
2007
Video documentary short
Herself
Self
13th Annual Screen Actors Guild Awards
2007
TV Special
Herself
Self
Bobby: The Making of an American Epic
2007
Video documentary short
Herself
Self
What Have You Done?: The Remaking of ‘Black Christmas’
2006
TV Short documentary
Herself / Heather Fitzgerald
Self
Dead Teenager Movie
2006
Video short
Herself – Final Girl
Self
Kill Shot: The Making of ‘FD3’
2006
Video documentary
Herself
Self
Death’s Design: Making ‘Final Destination 3’
2006
TV Short documentary
Herself / Wendy Christensen
Self
Planned Accidents
2006
Video documentary short
Herself
Self
2005 BAFTA/LA Cunard Britannia Awards
2005
TV Movie documentary
Herself
Self
The Late Late Show with James Corden
2016
TV Series
Herself
Self
Broadway.com 2016 Tony Awards Special
2016
TV Movie
Herself
Self
The Making of ’10 Cloverfield Lane’
2016
Video documentary short
Herself
Self
Live from the Red Carpet: The 2016 Tony Awards
2016
TV Movie
Herself
Self
The 70th Annual Tony Awards
2016
TV Special
Herself – Presenter
Self
Late Night with Seth Meyers
2016
TV Series
Herself
Self
Made in Hollywood
2010-2016
TV Series
Herself
Self
The Late Show with Stephen Colbert
2016
TV Series
Herself – Guest
Self
Last Call with Carson Daly
2015-2016
TV Series
Herself / Herself – Guest
Self
Drinking with the Stars
2016
TV Series
Herself
Self
Comedy Bang! Bang!
2015
TV Series
Herself
Self
Reel Junkie
2015
TV Series
Herself
Self
Today
2010-2014
TV Series
Herself – Guest
Self
Showing Up
2014
Documentary
Herself
Self
The 2013 Film Independent Spirit Awards
2013
TV Special
Herself – Nominee
Self
Decoding Die Hard
2013
Video documentary
Herself
Self
Special Look
2012
TV Series
Herself
Self
Up Close with Carrie Keagan
2007-2012
TV Series
Herself – Guest
Self
The Thing Evolves
2012
Video short
Herself
Self
Scream Awards 2011
2011
TV Special
Herself
Self
Attack of the Show!
2011
TV Series
Herself – Guest
Self
The Making of ‘Scott Pilgrim vs. the World’
2010
Video documentary
Herself
Self
Janela Indiscreta
2010
TV Series
Herself
Self
Jimmy Kimmel Live!
2010
TV Series
Herself – Guest
Self
Mary Elizabeth Winstead Awards
Year
Award
Ceremony
Nomination
Movie
Category
2013
Daytime Emmy
Daytime Emmy Awards
Outstanding New Approaches – Original Daytime Program or Series
The Beauty Inside (2012)
Won
2006
Hollywood Film Award
Hollywood Film Awards
Ensemble of the Year
Bobby (2006)
Won
2013
Daytime Emmy
Daytime Emmy Awards
Outstanding New Approaches – Original Daytime Program or Series