Mae West net worth is $20 Million. Also know about Mae West bio, salary, height, age weight, relationship and more …
Mae West Wiki Biography
Mary Jane West was born on the 17th August 1893 in Brooklyn, New York City USA, and was an actress, screenwriter, playwright and singer, known to the world for her controversial plays “SEX” (1926), and “The Drag”, among many other successful acts. Credited as the most controversial personality in the entertainment industry during her time, Mae left a deep mark on the next generations of sex symbols, including Marilyn Monroe and many others. She passed away on the 22nd November 1980 in Los Angeles, California at 87 years old. Mae’s career started in 1907 and ended in 1978.
Have you ever wondered how rich Mae West was, at the time of her death? According to authoritative sources, it has been estimated that West’s net worth was as high as $20 million, an amount earned through her more than successful career in the entertainment industry.
Mae was the eldest serving child born to Patrick West and Matilda Delker, of German, Scottish and Irish ancestry. Her childhood was marred by frequent moves as the whole family lived in several parts of Woodhaven, Williamsburg and Greenpoint.
Mae was thrown into entertainment from an early age, performing at the local church when five years old, only to start making appearances in amateur shows two years later. She continued with talent contests and won numerous prizes, before she started performing professionally in the Hal Clarendon Stock Company in vaudeville when she was 14 years old. From then until her death, Mae rose to stardom through Broadway appearances and later on television.
Her first Broadway appearance was in 1911, in the play “A La Broadway” as Maggie O’Hara. She then featured in the play “Vera Violetta” in 1912, but until 1918 and the part of Mayme Dean in the play “Sometime”, Mae was somewhat unknown. After that particular role she emerged as a rising star, and soon started writing her own material which resulted in “SEX”, premiered on 26th April 1926. She ended-up in prison for the play, as it was against the social morals of the time, sentenced 10 days for “corrupting the morals of youth”. Time in prison did well for Mae, as her popularity grew at enormous speed. and away of all boundaries. She continued with her own plays, such as “The Drag” which was also later banned, as it dealt with homosexuality and wasn’t accepted by many theaters, then she created the character Diamond Lili, and toured extensively with several later revivals from the late ‘20s to early ‘50s. She also wrote “Sextette” in 1961, which premiered at the Edgewater Beach Playhouse, and was years later made into a film.
In the early ‘30s, Mae decided to try her luck on screen, and signed a contract with the Paramount Pictures. Her first screen role was as Maudie Triplett in the comedy “Night After Night” in 1932, starring George Raft, Constance Cummings and Wynne Gibson. Although her role was minor, Mae stole the show, and was immediately given the lead role in the comedy drama “She Done Him Wrong”, with Cary Grant and Owen Moore. She continued as a star in Paramount films, such as in “I’m No Angel” (1933), “Belle of the Nineties” (1934), and “Go West Young Man” (1936). In the early ‘40s she decided to take a break from screen roles, but not before she starred in “My Little Chickadee” (1940), and “The Heat’s On” (1943), with Victor Moore, William Gaxton and Lester Allen.
She was again banned from public by mostly religious groups for her extensive use of sexuality for profit, which forced her into the music business, and she released eight studio albums from the mid-50s until her death; some of them include “Way Out West” (1966) and “Great Balls of Fire” (1972) among many others, which also added to her wealth.
She also focused more on writing, and published a number of books including her autobiography “Goodness Had Nothing to Do with It”, which was first published in 1959 and then re-published in 1970.Mae returned to screen in 1970 in the role of Leticia Van Allen in the comedy film “Myra Breckinridge”, and before her death appeared also in “Sextette” (1978), based on her play from 1961.
Regarding her personal life, Mae was married to vaudevillian Frank Wallace from 1911 until 1942. She became known for her relationships and affairs, but from 61 years of age until her death she lived with Chester Rybinski, one of her muscle men, who was 30 years younger than her. Chester later changed his name to Paul Novak.
Mae suffered a stroke in August 1980, and spent her last days at Good Samaritan Hospital in Los Angeles. Her body was entombed at the family mausoleum at Cypress Hills Abbey, Brooklyn.
IMDB Wikipedia “Queen of the World” “The Statue of Libido” $10 million $20 million 121 lbs (54.9 kg) 1893 1893-08-17 1980 20000000 4 ft 11 in (1.524 m) Actor Actors Actress August 17 Bushwick California Cary Grant Comedian Erasmus Hall High School Frank Szatkus Frank Szatkus (m. 1911–1943) George Raft Guido Deiro Guido Deiro (m. 1914–1920) Hollywood Jane Mast Jewish people John Edwin West II John Patrick West Lester Allen Los Angeles Ma$e Mae West Mae West Net Worth Mary Jane West Matilda “Tillie” Doelger Mildred Katherine West New York New York City November 22 Pin-up girl Playwright Screenwriter Singer United States United States of America Victor Moore West William Gaxton Wynne Gibson
Mae West Quick Info
Full Name | Mae West |
Net Worth | $20 Million |
Date Of Birth | August 17, 1893 |
Died | November 22, 1980, Hollywood, Los Angeles, California, United States |
Place Of Birth | Bushwick, New York City, New York, United States |
Height | 4 ft 11 in (1.524 m) |
Weight | 121 lbs (54.9 kg) |
Profession | Actress |
Education | Erasmus Hall High School |
Nationality | American |
Spouse | Guido Deiro (m. 1914–1920), Frank Szatkus (m. 1911–1943) |
Parents | Matilda “Tillie” Doelger, John Patrick West |
Siblings | Mildred Katherine West, John Edwin West II |
Nicknames | Mary Jane West , West, Mae , “Queen of the World” , “The Statue of Libido” , Jane Mast |
IMDB | http://www.imdb.com/name/nm0922213/ |
Movies | She Done Him Wrong, I’m No Angel, Sextette, Night After Night, My Little Chickadee, Myra Breckinridge, Every Day’s a Holiday, Belle of the Nineties, The Heat’s On, Klondike Annie, Goin’ to Town, Go West, Young Man |
Mae West Trademarks
- Rampant double entendres.
- Deep sultry voice
- Voluptuous figure
- Sparkling blue eyes
- Platinum blonde hair
Mae West Quotes
- ‘Beulah peel me a grape’.
- I was in the office at Paramount, and they gave me a large book with a lot of photographs of different leading men, and I was sitting at a table or a desk right near the window and the door, and uh, after I looked at a few I kind of glanced out the window and I saw this good-looking guy walk across the street. So, I said, “That’s about the best-looking thing in Hollywood: who is he?” So they looked, and they said, “Oh, that’s Cary Grant. We haven’t used him in a picture as yet, but we made tests of him with some of the starlets.” I said, “Well, if this guy can talk, I’ll take him.” So they called him in, and we met, and he said, “How d’ya do?” and I said, “OK.” And they said, “What part?” and I said, “The lead, of course.” So he got the lead.
- Virtue has its own reward, but has no sale at the box office.
- Between two evils, I always pick the one I never tried before.
- Almost anything goes, anywhere, if it is good and fast and amusing. Risque material is only offensive if badly done, without style and charm. I brought my own sophisticated ideas and style to the vaudeville stage but I had to adjust it to the standard of each theatre, and even to each night’s audience.. The theatre manager,if he was a man with experience and knew his business, could usually tell me what the people in town were like, and what the difference in audiences was on other nights.I usually found that one night a week you would get a top society crowd, and another night you’d get mostly working-class people. Other nights there would be family groups – especially on Friday nights when the kids didn’t have to go to school the next day. Saturday nights everybody was out for a good time, so audiences were both mixed and terrific.
- [on her popularity within the gay community] They’re crazy about me ’cause I give ’em a chance to play. My character is sexy and with humor and they like to imitate me, the things I say, the way I say ’em, the way I move. It’s easy for’em to imitate me ’cause the gestures are exaggerated, flamboyant, sexy, and that’s what they want to look like, feel like. And I’ve stood up for ’em. They’re good kids. I don’t like the police abusin’ ’em, and in New York I told ’em, ‘When you’re hittin’ one of those guys, you’re hittin’ a woman, ’cause a born homosexual is a female in a male body.
- I’m my own original creation. I concentrate on myself most of the time. That’s the only way a person can become a star in the true sense. I never wanted a love that meant surrender of my self-possession. I saw what it did to other people when they loved another person the way I loved myself, and I didn’t want that problem. I had to stay in command of my career.
- My advice for those gals who think they have to take their clothes off to be a star is: baby, once you’ve boned, what’s left to create an illusion? Let ’em wonder.I never believed in givin’ ’em too much of me.
- [on Marilyn Monroe] The only gal who came near to me in the sex appeal department was pretty little Marilyn Monroe. All the others had were big boobs.
- A dame that knows the ropes isn’t likely to get tied up.
- [on growth] He who hesitates is a damn fool.
- [on love] A man’s kiss is his signature.
- [on style] It’s all right for a perfect stranger to kiss your hand as long as he’s perfect.
- Men are easy to get but hard to keep.
- I’m not good and tired, just tired.
- It isn’t what I do, but how I do it. It isn’t what I say, but how I say it, and how I look when I do it and say it.
- I generally avoid temptation unless I can’t resist it.
- The man I don’t like doesn’t exist.
- I freely chose the kind of life I led because I was convinced that a woman has as much right as a man to live the way she does if she does no actual harm to society.
- Why don’t you come up sometime and see me? I’m home every evening . . . Come up, and I’ll tell your fortune.
- I always save one boyfriend for a rainy day . . . and another in case it doesn’t rain.
- Few men know how to kiss well. Fortunately, I’ve always had time to teach them.
- To err is human, but it feels divine.
- I do all my writing in bed; everybody knows I do my best work there.
- On desire: Sex is an emotion in motion….love is what you make it and who you make it with.
- Ten men waiting for me at the door? Send one of them home, I’m tired.
- I used to be Snow White, but I drifted.
- Good girls go to heaven. Bad girls go everywhere else.
- Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is.
- It ain’t sin if you crack a few laws now and then, just so long as you don’t break any.
- I wrote the story myself. It’s all about a girl who lost her reputation but never missed it.
- It’s hard to be funny when you have to be clean.
- Don’t marry a man to reform him. That’s what reform schools are for.
- I’m no model lady. A model’s just an imitation of the real thing.
- Too much of a good thing is wonderful.
- I only like two kinds of men: Foreign and Domestic.
- I believe in censorship. After all, I made a fortune out of it.
- Is that a gun in your pocket or are you just glad to see me?
- It’s not the man in your life that counts. It’s the life in your man.
- Marriage is a great institution. I’m not ready for an institution.
- When I’m good, I’m very good. But when I’m bad, I’m better.
- When caught between two evils I generally pick the one I’ve never tried before.
- When women go wrong, men go right after them!
- Men are my life, diamonds are my career!
- A hard man is good to find.
- It’s better to be looked over than overlooked.
Mae West Important Facts
- $350,000 for 10 days work
- $400,000
- $300,000
- $130,000
- $50,000 for 10 weeks work
- Her mother had wanted to be an actress.
- Her father built a stage for her in the basement of their house in Brooklyn.
- Is mentioned in Cole Porter’s song “Anything Goes” from a musical of the same name.
- Lent her name to life preservers, art, graphs, album covers, statues, table radios, songs, etc.
- Her frank, sexual innuendo-laced play “Sex” opened at Daly’s 63rd Street Theatre on April 26, 1926. Ironically, that theatre had been built twelve years earlier by two Christian societies – the People’s Pulpit and the International Bible Student’s Association – that had intended it to be used for the presentation of biblical films and lectures.
- Had a chimpanzee she named Coffee that she gave to her friend Ralph Helfer, renowned animal trainer and Hollywood animal behaviorist who owned the “Africa U.S.A.” Exotic Animal Ranch in Soledad Canyon, California.
- Made her Broadway debut on September 22, 1911, at the New York Folies Bergère, co-owned by Jesse L. Lasky. Twenty-one years later, West signed with Paramount Pictures, which was co-founded by Lasky.
- A “Mae West” is a slang term for type of parachute malfunction called a “lineover” in which the suspension lines divide the main canopy into two sections, lending the appearance of a huge brassiere.
- She had a double thyroid. Her doctor wanted her to have one of her thyroids surgically removed, but she refused as the double thyroid was not affecting her health in the slightest.
- Graduated from Brooklyn’s Erasmus Hall High School in 1911, as did silent film star Norma Talmadge.
- The comedy entitled “Sex” she wrote in 1926 revived in NY, off Broadway, Dec. 1999.
- Singer Miss Beverly Arden, sister of Mae West.
- Guido Deiro claims that West married his father, Guido Deiro, in 1914 under an assumed name, Catherine Mae Belle West, and on the condition of secrecy. West left Deiro in 1916, and “divorced” him on 9 November 1920.
- When W.C. Fields called her “My little broodmare”, she almost hit him.
- Critic George Jean Nathan once called her “The Statue of Libido”.
- In April 1927, West was convicted of “producing an immoral play”, the title of which was Sex. She was sentenced to ten days in jail in New York City, but was given one day off for good behavior.
- Although critics thought that she and W.C. Fields worked well together on camera, West reputedly did not admire him.
- Has a star on the Hollywood Walk of Fame at 1560 Vine Street in Hollywood, California.
- Was in consideration for the part of Norma Desmond in Sunset Blvd. (1950) but Gloria Swanson, who went on to receive a Best Actress Oscar nomination for her performance, was cast instead.
- There is a photo in fundamentalist preacher Billy Sunday’s autobiography (circa 1932) of Billy Sunday and Mae West pouring out a bottle of beer into the river.
- The Coca-Cola bottle was said to have been designed with Mae West’s figure as inspiration.
- Surrealist artist Salvador Dalí created one of his most iconic works influenced by her: “Mae West’s Lips Sofa” (1937).
- Was at one point Hollywood’s highest paid star.
- Turned down a role in Elvis Presley’s film Roustabout (1964), which eventually went to Barbara Stanwyck.
- She was born Mary Jane West in the Bushwick section of Brooklyn. Mae’s father, John Patrick “Jack” West, was a featherweight prizefighter called “Battling Jack” West, and later a stable master; he was of English and Irish descent (his own mother was an Irish immigrant). Mae’s mother, Matilda Decker Doelger, was an immigrant from Germany.
- Died apparently of natural causes in the wake of a mild stroke she suffered three months prior that left her speech impaired. Also suffered from diabetes the last 15 years of her life.
- Was not a smoker or a drinker.
- During World War II, Miss West’s name was applied to various pieces of military equipment and was thus listed in Webster’s New International Dictionary, Second Edition. The Royal Air Force named its inflatable lifejackets “Mae Wests”, and United States Army soldiers referred to twin-turreted combat tanks also as “Mae Wests”.
- Eldest of three children of John Patrick West, an occasional prizefighter and livery-stable owner, and Matilda Delker Doelger, a one-time corset and fashion model. A baby girl died before Mae was born the after Mae there was another girl and a boy.
- Once when she was scheduled to play a theater in New Haven, Conneticut, the theater’s management refused to let her go on because her act was too “risqué” and canceled the show. Disappointed, Yale University students rioted and wrecked the theater.
- Playing opposite Ed Wynn in Arthur Hammerstein’s “Sometime,” with music by Rudolf Friml, she introduced the shimmy to the Broadway stage in 1918. The dance requires hardly any movement of the feet but continuous movement of the shoulders, torso and pelvis. She had seen the dance at black cafés in Chicago.
- One of the first women to consistently write the movies she starred in.
- Is portrayed by Ann Jillian in Mae West (1982) and by Gloria Gray in Marlene (2000)
- Died two days before her Night After Night (1932) and Sextette (1978) co-star George Raft.
- At one point, her chauffeur was Jerry Orbach (who is best known for playing Detective Lennie Briscoe on all four “Law & Order” television series).
- Was named #15 Actress on The American Film Institutes 50 Greatest Screen Legends
- Her films are credited with single-handedly saving failing and debt-ridden Paramount Pictures from bankruptcy in the early 1930s.
- According to psychic Kenny Kingston, she wrote all her plays while in a trance.
- She was famous for her morning enemas, which she claimed made her skin like silk and left her “smelling sweet at both ends”. On the set of her last film Sextette (1978), co-star Tony Curtis claimed that she was given an enema after being made up, at approximately 11:00 in the morning, as the last step of her preparations before going before the camera.
- Was banned from NBC Radio after a guest appearance in 1937 with Edgar Bergen and Charlie McCarthy that was loaded with flirtatious dialogue and double-entendres. She returned to the network as a guest on the “Perry Como Show” in 1949.
- Is sometimes credited with originating the Shimmy (a once-popular dance).
- Former Beatle Ringo Starr appeared with West in Sextette (1978). He was unpleasantly surprised at first, at all the attention given her on the set (usually reserved for pop stars like The Beatles), but came to admire West during the shoot, and praised her afterwards.
- Appears on sleeve of The Beatles “Sgt Pepper’s Lonely Hearts Club Band”. West at first declined to be pictured on the cover (“What would I be doing in a lonely hearts club?!”), but reconsidered when the Beatles sent her a handwritten personal request.
- She was with George Raft in both her first (Night After Night (1932)) and last (Sextette (1978)) film.
- During World War II, United States Navy and Army pilots and crewmen in the Pacific named their inflatable life vests after her, supposedly because of her well-endowed attributes. The term “Mae West” for a lifejacket continues to this day.
- According to actor Tony Curtis, her famous walk originated while beginning her career as a stage actress. Special six-inch platforms were attached to her shoes to increase the height of her stage presence. Her walk literally was “one foot at a time.”
- After two years of denying that she had ever been married, West admitted in a reply to a legal interrogatory in 1937 that she and Frank Wallace had married in 1911. During her divorce trial in 1942, she testified that they had lived together only “several weeks”.
- Hollywood’s outrageous, self-proclaimed psychic Criswell predicted in 1955 that she would win the 1960 Presidential election, and would fly to the moon in 1965 with him and friend Liberace!.
Mae West Filmography
Title | Year | Status | Character | Role |
---|---|---|---|---|
Hollywood Singing and Dancing: A Musical History – The 1930s: Dancing Away the Great Depression | 2009 | Video documentary performer: “They Call Me Sister Honky-Tonk”, “I Found a New Way to Go to Town”, “I Want You, I Need You” – uncredited | Soundtrack | |
Sextette | 1978 | performer: “Love Will Keep Us Together”, “After You’ve Gone”, “Happy Birthday Twenty One” | Soundtrack | |
My Tongue Is -Quick! | 1971 | “My Old Flame”, uncredited | Soundtrack | |
Myra Breckinridge | 1970 | performer: “Hard to Handle”, “You Gotta Taste All the Fruit” – uncredited | Soundtrack | |
Mondo Trasho | 1969 | performer: “Treat Him Right”, “You Turn Me On” | Soundtrack | |
The Love Goddesses | 1965 | Documentary performer: “They Call Me Sister Honky-Tonk” – uncredited | Soundtrack | |
The 30th Annual Academy Awards | 1958 | TV Special performer: “Baby, It’s Cold Outside” | Soundtrack | |
The Heat’s On | 1943 | performer: “I’m Just a Stranger in Town” 1943, “Hello, Mi Amigo” 1943 | Soundtrack | |
My Little Chickadee | 1940 | performer: “Willie of the Valley” | Soundtrack | |
Every Day’s a Holiday | 1937 | performer: “Jubilee” uncredited, “Fifi”, “Little Butterfly”, “Every Day’s a Holiday” uncredited, “Along the Broadway Trail” uncredited | Soundtrack | |
Go West Young Man | 1936 | performer: “ON A TYPICAL TROPICAL NIGHT”, “I WAS SAYING TO THE MOON” | Soundtrack | |
Klondike Annie | 1936 | performer: “My Medicine Man” uncredited, “Cheer Up, Little Sister”, “It’s Better to Give Than to Receive”, “I’m an Occidental Woman in an Oriental Mood for Love”, “Mister Deep Blue Sea”, “Little Bar Butterfly” | Soundtrack | |
Goin’ to Town | 1935 | performer: “HE’S A BAD MAN”, “NOW I’M A LADY”, “MON COEUR S’OEUVRE A TA VOIX”, “LOVE IS LOVE” | Soundtrack | |
Belle of the Nineties | 1934 | performer: “Memphis Blues”, “My Old Flame”, “Troubled Waters”, “When a St. Louis Woman Goes Down to New Orleans” – uncredited | Soundtrack | |
I’m No Angel | 1933 | performer: “They Call Me Sister Honky-Tonk” 1933, “That Dallas Man” 1933, “I Found a New Way to Go to Town” 1933, “I Want You, I Need You” 1933, “I’m No Angel” 1933 – uncredited | Soundtrack | |
She Done Him Wrong | 1933 | performer: “I Wonder Where My Easy Rider’s Gone” 1933, “A Guy What Takes His Time” 1933, “Frankie and Johnny” 1912 – uncredited | Soundtrack | |
Sextette | 1978 | Marlo Manners | Actress | |
Myra Breckinridge | 1970 | Leticia Van Allen | Actress | |
Mister Ed | 1964 | TV Series | Mae West | Actress |
The Heat’s On | 1943 | Fay Lawrence | Actress | |
My Little Chickadee | 1940 | Flower Belle Lee | Actress | |
Every Day’s a Holiday | 1937 | Peaches O’Day | Actress | |
Go West Young Man | 1936 | Mavis Arden | Actress | |
Klondike Annie | 1936 | The Frisco Doll / Rose Carlton / Sister Annie Alden | Actress | |
Goin’ to Town | 1935 | Cleo Borden | Actress | |
Belle of the Nineties | 1934 | Ruby Carter | Actress | |
I’m No Angel | 1933 | Tira | Actress | |
She Done Him Wrong | 1933 | Lady Lou | Actress | |
Night After Night | 1932 | Maudie Triplett | Actress | |
Sextette | 1978 | play “Sextet” | Writer | |
My Little Chickadee | 1940 | original screen play | Writer | |
Every Day’s a Holiday | 1937 | screen play | Writer | |
Go West Young Man | 1936 | screenplay | Writer | |
Klondike Annie | 1936 | play / screenplay | Writer | |
Goin’ to Town | 1935 | screenplay | Writer | |
Belle of the Nineties | 1934 | story “It Ain’t No Sin” | Writer | |
I’m No Angel | 1933 | dialogue / screenplay / story | Writer | |
She Done Him Wrong | 1933 | by | Writer | |
Night After Night | 1932 | additional dialogue – uncredited | Writer | |
Frankenpimp’s Revenge: The Romeo and Juliet Massacre | special thanks filming | Thanks | ||
The Second Annual Rock Music Awards | 1976 | TV Special | Herself | Self |
Backlot USA | 1976 | TV Movie | Herself | Self |
The Red Skelton Hour | 1960 | TV Series | Herself | Self |
Person to Person | 1959 | TV Series documentary | Self | |
The 30th Annual Academy Awards | 1958 | TV Special | Herself – Performer | Self |
The Ed Sullivan Show | 1948 | TV Series | Herself – Audience Member | Self |
Fashions in Love | 1936 | Documentary short | Self | |
The Fashion Side of Hollywood | 1935 | Documentary short | Herself | Self |
Hollywood on Parade No. A-9 | 1933 | Short | Herself (uncredited) | Self |
Welcome to the Basement | 2014-2015 | TV Series | Flower Belle Lee | Archive Footage |
Hollywood Rebellen | 2013 | TV Movie documentary | Archive Footage | |
Arena | 2012 | TV Series documentary | Archive Footage | |
Starz Inside: Sex and the Cinema | 2009 | TV Movie documentary | Herself | Archive Footage |
Hollywood Singing and Dancing: A Musical History – The 1930s: Dancing Away the Great Depression | 2009 | Video documentary | Herself | Archive Footage |
Make ‘Em Laugh: The Funny Business of America | 2009 | TV Series documentary | Archive Footage | |
Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood | 2008 | TV Movie documentary | Tira | Archive Footage |
Why Be Good? Sexuality & Censorship in Early Cinema | 2007 | Documentary | Herself | Archive Footage |
Dead Famous | 2006 | TV Series documentary | Herself | Archive Footage |
Naughty Bits | 2004 | TV Series | Herself | Archive Footage |
Sex at 24 Frames Per Second | 2003 | Video documentary | Herself | Archive Footage |
Complicated Women | 2003 | TV Movie documentary | Herself (uncredited) | Archive Footage |
Living Famously | 2003 | TV Series documentary | Herself | Archive Footage |
Cleavage | 2002 | TV Movie documentary | Herself | Archive Footage |
Hollywood Remembers | 2000 | TV Series documentary | Archive Footage | |
Hollywood Screen Tests: Take 2 | 1999 | TV Special documentary | Herself (uncredited) | Archive Footage |
E! Mysteries & Scandals | 1999 | TV Series documentary | Herself | Archive Footage |
The 20th Century: A Moving Visual History | 1999 | TV Mini-Series documentary | Herself | Archive Footage |
Junket Whore | 1998 | Documentary | Herself | Archive Footage |
The Real Las Vegas | 1996 | TV Series documentary | Herself | Archive Footage |
The Good, the Bad & the Beautiful | 1996 | TV Special documentary | Herself | Archive Footage |
Inside the Dream Factory | 1995 | TV Movie documentary | Herself | Archive Footage |
Biography | 1995 | TV Series documentary | Herself | Archive Footage |
Betty Boop: Queen of the Cartoons | 1995 | Documentary | Herself | Archive Footage |
The Casting Couch | 1995 | Video documentary | Archive Footage | |
Mae West and the Men Who Knew Her | 1994 | TV Movie documentary | Herself | Archive Footage |
Intimate Portrait | 1993 | TV Series documentary | Herself | Archive Footage |
Legends of Comedy | 1992 | TV Movie documentary | Archive Footage | |
Hollywood on Parade | 1990 | Video documentary | Herself | Archive Footage |
Hollywood Sex Symbols | 1988 | Video documentary short | Archive Footage | |
Going Hollywood: The ’30s | 1984 | Documentary | Herself | Archive Footage |
Hollywood Out-takes and Rare Footage | 1983 | Documentary | Herself (uncredited) | Archive Footage |
Hollywood: The Gift of Laughter | 1982 | TV Movie documentary | Actress – ‘My Little Chickadee’ (uncredited) | Archive Footage |
The 53rd Annual Academy Awards | 1981 | TV Special | Herself | Archive Footage |
All You Need Is Love | 1977 | TV Series documentary | Herself | Archive Footage |
Brother Can You Spare a Dime | 1975 | Documentary | Herself | Archive Footage |
The Great Radio Comedians | 1972 | TV Movie documentary | Herself | Archive Footage |
Hollywood Blue | 1970 | Documentary | Herself | Archive Footage |
The Best of Laurel and Hardy | 1968 | Archive Footage | ||
The Love Goddesses | 1965 | Documentary | Herself | Archive Footage |
Wayne and Shuster Take an Affectionate Look At… | 1965 | TV Series documentary | Herself | Archive Footage |
Hollywood Without Make-Up | 1963 | Documentary | Herself | Archive Footage |
Hollywood on Parade No. B-5 | 1933 | Short | Herself (uncredited) | Archive Footage |
Mae West Awards
Year | Award | Ceremony | Nomination | Movie | Category |
---|---|---|---|---|---|
1969 | Golden Apple | Golden Apple Awards | Female Star of the Year | Won | |
1960 | Star on the Walk of Fame | Walk of Fame | Motion Picture | On 8 February 1960. At 1560 Vine Street. | Won |
1969 | Golden Apple | Golden Apple Awards | Female Star of the Year | Nominated | |
1960 | Star on the Walk of Fame | Walk of Fame | Motion Picture | On 8 February 1960. At 1560 Vine Street. | Nominated |