Alexander Paul Kapranos Huntley net worth is $6 Million. Also know about Alexander Paul Kapranos Huntley bio, salary, height, age weight, relationship and more …

Alexander Paul Kapranos Huntley Wiki Biography

Alexander Paul Kapranos Huntley (born 20 March 1972), commonly known as Alex Kapranos, is a Scottish musician and the lead singer and guitarist of the Glasgow-based band Franz Ferdinand. IMDB Wikipedia $6 Million 1972 1972-3-20 5′ 11″ (1.8 m) 9 Songs (2004) Alex Kapranos Net Worth Alexander Paul Kapranos Huntley Almondsbury Endless Love (2014) England Gloucestershire Hallam Foe (2007) March 20 Paradise Kiss (2005) Pisces Soundtrack United Kingdom

Alexander Paul Kapranos Huntley Quick Info

Alexander Paul Kapranos Huntley Quotes

• [on a common misconception that youth originated rock’n’roll] It’s a misinterpretation of what rock’n’roll is. You can trace that to the very beginning, right back to Bill Haley who invented rock’n’roll. Even in the psychedelic era Timothy Leary was a middle-aged man who probably had more influence than Roger Daltrey. It’s not the age, but it’s the vividness of ideas.
• While you may come to a point in your life when you have consciously rejected belief systems, you still have the spiritual urge or desire to have it all explained to you. There are various different ways in which the landmarks of our life change. It happens throughout your life.
• Relevancy is a phrase I can’t really comprehend. The people who struggle with it most are people who define their selves by their age. When I look at the front row of audiences and I see they’re thick with people in their mid-teens, I’m fascinated by it because I think, ‘Wow, you can’t be here because you bought our first record because you would have been five’.
• Why play a chord when you can play one note?
• You can only begin to be great when you embrace a sense of your own ridiculousness.
• You really only understand whether a song’s good or not when you properly play it out in public for the first time.
• Although they might not admit it, I think girls are very aware of the impact that they’re having. But they never feel it themselves, and it’s impossible to explain. It’s like trying to tell a blind person what yellow is.
• Cinema, which is influenced by every single part of life, is direct and reaches you immediately. And writing – the best writing is complex ideas communicated concisely. And music – if it’s a good tune, make sure people can bloody hear it.
• Glasgow’s not a media centre. When you’re there, when you’re hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.
• I really want it to have an impact on the world. I want to be in a town on the other side of the world, and somebody walks up and says, ‘That music you made in Glasgow, I listened to it every day, and it moved me.’
• Maybe ‘Can’t Stop Feeling’ and ‘Turn It On’ we’ll just release as singles. It’s a thing The Beatles used to do which I really loved, the idea of releasing something as a single completely on its own.
• Of course, there’s a certain type of person who feels that anything which becomes mainstream has to be rejected immediately. And that’s part of the indie-alternative snobbery and hierarchy and elitism.
• I’d rather eat a cow-pat on a bun than a bloody McDonalds.
• I’m not a food critic, and I’m not really an authority to write anything on food.
• Ideally, musicians belong outside the Establishment. When they cross that line, it’s like something in them has died.
• If I was a fan of someone as a teenager, then it’s OK for me to feel completely in awe when I meet them.
• If success had come along when I was 17 it would either have killed me or sent me completely mad.
• It doesn’t matter how adventurous you want to be, you’ve still got to contain your identity.
• It’s very rare that a song falls from your mind complete.
• Men behave very oddly in the company of attractive women.
• People’s musical tastes are fickle, and music can be a fashion.
• Surely every band wants to be a pivotal point in history.
• The best songwriting comes from being as creative as you can and editing it down to the good bits, essentially.
• The internet is like a gossipy girls’ locker room after school, isn’t it?
• There are loads of bands I’d love to produce.
• There’s a character that I play onstage, and I can’t let him loose in the supermarket when I’m buying my beans on toast.
• Traditionally, lots of vagrants and unemployable characters wind up working in kitchens.
• A lot of bands have the enthusiasm kicked out of them by playing really dreary pub venues that just churn bands through.
• A lot of food criticism has a similar flavour to it, and I’m probably going to write about it in a different way.
• Ambition is sneered at by some bands. It seems like a pretty good thing to me.
• Being in a band didn’t buy me my beans on toast!
• Boho to me is a first-year student who’s just discovered the tie-dye shop.
• Boredom or being sick of what you’ve done before is a big part of being in a band.
• I didn’t grasp the basic principle of being a promoter, which was: Put on music but also generate an income. I was on the dole most of the time.
• I think a lot of bands are creatively knackered when they come off tour.
• I think in the world of indie music there’s this sort of false modesty.
• I want to make music that will make the blood surge in your veins, music that will get people up and dance.
• There’s a difference between expectations and aspirations.
• Arty. To me the word’s got as much venom associated with it as ‘wacky’.
• No matter what you do, if you’re trying to create something new, your environment has a massive impact on you.
• It’s easy to be lazy when there’s food lying around backstage or there’s a fast-food joint a couple blocks away. But if you walk a little further, ask around a bit, of course there are exciting things to discover.
• Just because you can leap off a drum kit doing a scissors kick while hitting a chord, people expect you to be an extrovert socially. But I’m not always comfortable with the idea of small talk at a party.
• I adore the flamboyance of Freddie Mercury, the riffs and beats of Led Zeppelin and what Pete Townshend “did with his legs as he held his guitar”. I prefer singles to LPs. I unashamedly love a good pop tune from “Blitzkrieg Bop” to “Push the Button” or Nelly Furtado’s amazing new song, “Maneater”. I despise ELP (Emerson Lake and Palmer), Yes and Marillion less for their unrestrained self-indulgence than for just being boring.
• [on the death of Bo Diddley] It’s rotten news about Bo Diddley. When I heard it I put ‘Road Runner’ on the record player. What a riff. What a guitarist – totally revolutionised the way the instrument was played with that loose sexy rhythm.

Alexander Paul Kapranos Huntley Important Facts

• Met drummer Paul Thomson while in the band The Yummy Fur.
• Met keyboardist and guitarist Nick McCarthy at a party in 2001. The two got into a brawl at the party, but ended up getting a drink together the following day.
• Was the music programmer at The 13th Note Cafe in Glasgow prior to forming Franz Ferdinand. That was where he met bassist Bob Hardy.
• Girlfriend is Eleanor Friedberger from the band The Fiery Furnaces. The song “Eleanor, Put Your Boots Back On” is about her.
• Authored a book about the foods he ate while on tour with Franz Ferdinand entitled “Sound Bites: Eating on Tour With Franz Ferdinand.”.
• Was a part of the bands The Karelia, The Yummy Fur, and The Amphetameanies prior to Franz Ferdinand.
• Franz Ferdinand’s “Take Me Out” won the 2005 Ivor Novello Award for Best Contemporary Song.
• He has lived in Scotland since 1978
• Born to a Greek father and an English mother. As a child he went by his mother’s maiden name, Huntley, to avoid possible discrimination.
• Lead singer & guitarist of the group Franz Ferdinand.

Alexander Paul Kapranos Huntley Filmography