Eva Green’s net worth is $8 Million. Also know about Eva Green bio, salary, height, age weight, relationship, and more …

Eva Green Wiki Biography

• Eva Gaelle Green is an entertainer and model, born into the world on sixth July 1980 in Paris, France. 
• She made her film debut in Bertolucci’s 2003 film “The Dreamers“, in any case, she is most popular for showing up in Ridley Scott’s “Realm of Heaven” (2005) and the James Bond film “Club Royale” (2006). 
• She is the victor of BAFTA, Empire, Spike Guy’s Choice, and Fangoria Chainsaw Awards. 
• Have you ever considered how rich Eva Green is? 
• As indicated by sources, it has been assessed that Eva Green’s general net worth is $8 million, gained by showing up in the absolute most renowned chief’s movies, simultaneously depicting jobs in TV arrangement. 
• Various honor designations and rewards have essentially caused add in her net worth. 
• Eva was naturally introduced to a family with creative inclinations. 
• Her mom was an entertainer and her dad, albeit a dental specialist, acted in Robert Bresson’s film “Au Hasard Balthazar“. 
• She has a twin sister, Johanne; and they are of Swedish and French plummet, and albeit brought up in France, she likewise invested energy in London and Ireland. 
• Green chose to turn into an entertainer after seeing “The Story of Adele H.” when she was fourteen. 
• She kept on considering acting at St.Paul’s Drama School in Paris and Webber Douglas Academy of Dramatic Art in London, yet she likewise went to the American University of Paris. 
• In 2001, Eva appeared in front of an audience in “Jalousie en Trois Fax“, which brought her a designation for a Moliere Award. 
• After a year, her movie debut came when chief Bernardo Bertolucci cast her in the requesting part of Isabelle his film “The Dreamers“, which included full-frontal naked scenes and sexual moments. 
• For this job, she has named the Best Actress Award at the European Film Awards. 
• Her next enormous job was in Ridley Scott’s “Realm of Heaven”(2005), in which she depicted the job of Sibylla of Jerusalem and by and by got honors for her exhibition. 
• Ultimately, she got the part of Vesper Lynd in the James Bond film “Gambling club Royale” (2006), and after this appearance, the “Amusement Weekly” named her the fourth-best Bond young lady ever, and IGN expressed she was the best femme fatale. 

Eva Green Quick Info

Eva Green Trademarks

1. Extraordinary versatility in her roles
2. Unusual accent that combines British and French dialects
3. Husky vocal quality
4. Calm and often reserved performances
5. Black hair and blue eyes
6. Smokey eye makeup

Eva Green Quotes

• [on Johnny Depp] Johnny is a chameleon actor: He is very intense, very brave and he takes risks.
• [on Tim Burton] I’ve always been a big big fan of Tim’s, so it was like a dream come true. He’s a very sensitive man, very humble. And he’s so creative, you get near him and it’s very electric. It’s contagious. It’s as if he has five people in his head and it’s always very active. He’s great because he’s so open to suggestions like Chloe said. That is a real luxury for an actor. And he really understood Angelique’s character, he was great to collaborate with.
• [on Johnny Depp] He’s such a generous actor, a real gentleman. He’s very intense and has the most intense eyes. He doesn’t move, then like thunder, his eyes are locked. He’s very strong, he takes risks, very brave. He is amazing.
• [on green-screen] It’s very close to being on stage. When you do theatre, the furniture and background are usually very minimal you don’t pay any attention to the props. All your energy is focused on the other actor or actors you’re playing your scene with. That’s how it was making this film. There’s just the crew around you and you have to imagine the setting that’s eventually going to be filled in later. I had read the graphic novels before starting work on the film and so I had a good understanding of the surroundings. You also get used to miming opening a door or looking in certain directions where something is supposed to be happening or knowing where the walls are supposed to be. It takes a bit of discipline but it also intensifies your work because your entire concentration is on the other actor.
• I was not offered something interesting [after Casino Royale] by Hollywood. Every role was the boring beautiful girl. Instead of doing that, I made movies that not a lot of people saw but were good for my heart. I’ve always found the movie business rather cold, so finding parts to play and having people enjoy them has made this year a miracle for me.
• I’m fairly blonde. I’ve been dyeing my hair black since I was 15 and I’ve stuck with that look ever since. It’s my way of hiding myself I suppose. I think I look more interesting with dark hair. It’s part of my self-image and we all have a darker side. I like to put masks on sometimes because I haven’t always been that confident and you fall into the trap of continuing to hide your real self even though you’ve changed and grown a lot as an individual. I feel more open but it’s not always easy for me to show that.
• [When asked who she’d like to work with – GQ Magazine UK, August 2014] There’s so many but I love Matthew McConaughey, I think he’s really intentioned and so interesting. I would also love to work with Marion Cotillard.
• [on Artemisia, the character she plays in 300: Rise of an Empire (2014)] She’s such an extreme character. I think lots of men are going to be scared of me from now on. I’m like a little bird in real life so that’s why I enjoy playing those ladies.
• [on John Galliano’s comments] It has been very brutal and I really… I just wish he could go back in time and for it not to happen. I’m sure he’s going to get back [into fashion] because he’s so talented. Sometimes, you can make mistakes. I don’t think he’s anti-Semitic. I’m Jewish. I don’t think he has anything against the Jews. I think it’s more that he was probably a bit drunk.
• Well, I’m not Daniel Day-Lewis. It’s a bit pretentious to come home and remain in character. Can you imagine? It must be pretty hard to live with. I’m sure Daniel Day-Lewis is very sweet but if he takes some of those roles home with him then it must be quite tense. I wouldn’t want to be his wife.
• I was such a nerd in school that it’s been a good exercise for me to be able to talk a bit about myself. I’m always scared of words in real life if they’re not on a page in a script. To talk about myself, I feel like, Oh, my god…
• The sex scenes were quite full on and frank in The Dreamers (2003). I had a scene in which my own character has to lose her virginity. I had to remember how I felt when I first had sex. I am so reserved in real life, but I surprised myself completely. I was asked if I wanted some alcohol before some of the scenes – and admit that I did have some whiskey. There was a breaking of the ice before the sex scene. The actor Louis Garrel came into my trailer and said: ‘I will show you my dick if you show me your breasts.’ So I did – and he did. He said to me: ‘They look great.’ So when it came to the sex scenes, it made it a little easier.
• I used to play the piano. I stopped when I was about 17. If I sat down at a piano now I could probably play one or two pieces. Maybe Chopin’s “Nocturnes”.
• It’s not a job. It’s almost like faith or religion. Every time, I give a bit of my soul.
• A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.
• I’m very picky, I love falling in love with things. That’s why maybe I don’t work as much as I should. I need to really be drawn to the character and like the director.
• It’s so boring to play with the girlfriend. Most of the women in the film are there to be beautiful to the man. It’s quite hard to find a ballsy or complex character.
• Jordan Scott is a very talented director, she’s just the most amazing. She knows, understands actors, and tries to get the best out of them. She gives them a lot of freedom, she loves them and she’s very sensitive, very sensual. She’s a very special being and one of the most talented directors I’ve worked with. It’s a real treat to be with her.
• I thought Perfect Sense (2011) was kind of a brave, unusual story, thought-provoking but mainly a love story with the background of a catastrophe. I thought it was quite charming. I knew the director, David Mackenzie, and also the fact that Ewan McGregor was onboard was very appealing.
• I always wanted to be an actress but I didn’t know if I could do it. So I did a workshop in England to improve my English and three months of acting to see if I liked it or not. I came back and did three years of drama school in Paris. That’s when I realized I really liked acting and that I was going to try to be an actress.
• Cracks (2009) is a very interesting project, quite unusual, and some of it is a bit taboo. It was interesting for me to show all those colors. It’s quite a gift to give an actor, and it doesn’t happen very often, so I was lucky.
• [on enjoying the moment] — I know it sounds very clichéd but it’s true. I’m the first one to forget. Life is short – enjoy it. And do your best. Even if you fail, you’ve done your best.
• [on taking a break] — If I’m feeling a bit down I think of a very nice place in the sun to calm me down – like a place I went to not far from Cancún in Mexico. I just imagine I am there and everything gets calm in my head. My mother has a house in Normandy – I feel quite centered when I’m there. She cooks for me and I feel like I’m two years old.
• [on desire] — You’ve got to have the desire, otherwise, you just die. A lot of people, they’re 80 or 90 years old, and they die because they have nothing left to live for. It makes you alive if you have something you want in life. My first drama teacher was very passionate – she was full of energy – it was all about work, work work, then you can achieve something that is beyond your limits.
• [on Shane Meadows] — I might need to get my hair dirty if I was going to be in one of his films. I hate it when people say “You’re very beautiful.” I feel very shallow. I want to be taken seriously, you know?
• [on Michael Haneke] — “The White Ribbon” is absolutely brilliant. You want to open his brain and go “What is this shit, what happened to you?” I met him in LA last week. He’s funny, normal – well he seems to like that – you never know. I asked if he’d been inspired by something, and he said he just made it up! He kind of has an evil side, which I like.
• [on Jordan Scott, director of Cracks (2009)] Working with her was a real exchange – a real collaboration. She was extremely sensitive. The film looks almost unreal – like a fairytale.
• [on Daniel Craig] — He was a very cool Bond, very raw. He’s very paternal actually. He really looked after me, and he was wanting to do something different with Bond, which I think he did. I was a bit scared at the beginning – but it was a good Bond and it made me bankable – money, money! [laughs]
• [on Ewan McGregor] — … Ewan’s brilliant – a really giving actor.
• [on Isabelle Adjani] — She’s my role model, I adore her. I watched The Story of Adele H (1975) so many times, and Camille Claudel (1988) also – in that she plays a sculptor, very passionate, who was Rodin’s lover. He rejected her and she ended up completely cuckoo in an asylum. Adjani is a bit like Miss G – she has that crazy side in some of her movies. She’s very beautiful, but she can do everything – she’s very funny, she’s very sharp and not afraid of big emotional moments. I met her when she was doing a play in France, and I was very intimidated – you feel very wobbly and like a big geek. I just said to her “I’m a big fan of yours!” She’s like a myth to me.
• [on her growing dislike for theatre before landing The Dreamers (2003)] — I was in this play and I didn’t get on with the director and didn’t like the play. It was very grotesque, you know? Too much make-up and wigs and I were playing, like, this coquette. I was on stage for most of the time apart from three minutes when I was allowed to go off and pee in a bucket. And for those three minutes, I was sitting on a bucket, peeing and crying at the same time. Oh, it was terrible. It was a nightmare. I hated it so much.
• [on auditioning for The Dreamers (2003)] — I was bored with the theatre. I wanted to stop acting. I didn’t believe in anything. But I did a lot of auditions to get the role. You can’t turn down a role like that. You don’t say no to Bertolucci.
• I was in LA last week for a meeting and I don’t like it. I get knots in my stomach and have to walk around a museum to make myself feel better. It’s a cruel place, very hierarchical. If you’re in the middle, you’re shit, and if you’re at the bottom, you’re nothing. The people have no idea about anything that doesn’t come from Hollywood. Most of them have never heard of The White Ribbon or A Prophet, and the only film of mine they know is Bond because it made lots of money. I’m the Bond girl. It’s as though it’s written on my forehead.
• I feel sick if I have to do something for the money. I can’t breathe. I’m not proud of myself.
• [on acting] — It doesn’t satisfy me completely, this job. I want to travel. Maybe I’ll end up living in Norway, making cakes.
• I love photoshoots where I can be like a pinup, not myself. Where I can be feminine, glamorous, dark … not like in real life. I hate it when you go in and they want you to be ‘natural,’ to be yourself. I just hate it. I love having fun. When they ask you to smile, I hate it. Of course, I smile in my real life, but to do it on cue, that’s not spontaneous. I’d rather do something that’s like a little movie, like a little story, rather than just me, I feel naked.
• I don’t believe in awards. It’s very good for the ego, I suppose.
• I don’t have a problem with someone having plastic surgery, but I think it’s crazy for everyone to have the same body.
• I’d rather be thought of as an international actress rather than a French one. Because I don’t know what’s coming up for me, my ambition is not to be typecast. So I’m working on my English accent, as well as my American one. I don’t want to be like ‘Okay, I’m French, and I want to succeed in Hollywood!’ Juliette Binoche has set a good example of what I want to do because she works all over the world, and that’s what I want to do as well.
• I don’t want to be a Hollywood star. I just want to do my job and enjoy it. I aim to find my true identity and to remain true to myself.
• I have Algerian, Turkish, Swedish, Spanish blood: I feel like a citizen of the world. Life and cinema don’t have borders.
• I am many things. I can be quite mad, and young, but I’m not the kind of person who goes out to nightclubs and goes crazy. I am more like lying on my bed and listening to classical music to relax.
• [About Sybilla, her character in the Kingdom of Heaven (2005):] “Sybilla suffers from numerous frustrations. She’s a heroine, not a “potiche”.
• Onstage, every night you create something new. Plus, you have your audience right there – it’s like performing for the gods.
• At drama school, I always picked the really evil roles. It’s a great way to deal with your everyday emotions.
• For me, acting is like therapy. I can express myself fully when I am acting and have blood in my veins. Even when I’m not working, I’m always living in my own world, imagining characters.
• It’s a way to exteriorize all my shit. To scream and cry and laugh on-screen, it’s almost like black magic. You can do anything. I’m a dreamer, so that’s a good job for me. Onstage is the only place I can fully express myself.
• [about the sex scenes in The Dreamers (2003):] It must be very shocking for the American people, but what I don’t understand is why they are so crazy about that. I don’t understand why you can’t see naked people on screen but we can see a baby being killed. It’s quite strange. They’re too puritan, too uptight. [February 5, 2004]
• [about shooting nude scenes for The Dreamers (2003):] I am a very shy person in life, very reserved, but you know, it’s Bernardo Bertolucci. I’ve seen Ultimo tango a Parigi (1972) and it’s not pornographic, it’s not vulgar, it’s not sick, so I trusted him. He’s a master of love and eroticism, but it’s good because I stopped being self-conscious. I felt like I was on drugs or anesthetized because you have to be. You have to let yourself slip away and forget everything, forget the sound guy and all that [February 5, 2004].

Eva Green Important Facts

• Is a natural blonde. Dyed her hair black for the first time when she was 14 years old. She thought the color was more flattering and matched her skin tone and stated that she doesn’t want to change it back unless if it’s for a film.
• Turned down a role in Wonder Woman (2017) and was replaced by Elena Anaya.
• Johnny Depp is one of her favorite actors and Tim Burton is one of her favorite directors. She worked with them on Dark Shadows (2012).
• Auditioned for the part of Tauriel in The Hobbit: The Desolation of Smaug (2013) and The Hobbit: The Battle of the Five Armies (2014) in 2010, losing the role to Evangeline Lilly. Her audition took place right after Benedict Cumberbatch’s, who successfully obtained the role of Smaug in the films.
• Stated her desire to work with French compatriot Marion Cotillard.
• Her last name is Swedish and pronounced “grain/groin”, according to Eva herself and it’s not derived from the English word “green”, which is “grön” in Swedish. Her paternal surname “Green” is derived from the Swedish word “green”, which means (tree) branch.
• Has played a witch three times; Angelique in Dark Shadows (2012), Morgan in Camelot (2011), and Serafina Pekkala in The Golden Compass (2007).
• Filming The Golden Compass (2007), where she plays “Serafina Pekkala”, a witch. [December 2006]
• With her appearance in 300: Rise of an Empire (2014) and Sin City: A Dame to Kill For (2014), she’s the only actor to star in two adaptations of Frank Miller novels within the same year.
• Frequently, she has been replaced by actress Diane Kruger. Green rejected the roles of ‘The Seeker’ in The Host (2013) and ‘Anna’ in Mr. Nobody (2009), while she also backed out of playing ‘Marie Antoinette’ in Farewell, My Queen (2012). All three roles were subsequently given to Kruger.
• Filmed back to back 300: Rise of an Empire (2014) and Sin City: A Dame to Kill For (2014). Both films are sequels and both are based on comic books by Frank Miller.
• Was cast as Tessa Quayle in The Constant Gardener (2005) but she had to drop out due to schedule conflicts. She was replaced by Rachel Weisz, who was awarded an Oscar for the role.
• Was considered for the role of Jeanne Schneider in Mesrine Part 1: Killer Instinct (2008) but the role went to Cécile De France.
• Was cast in the role of Marie Antoinette in Farewell, My Queen (2012) but dropped out of the film to work with Tim Burton in Dark Shadows (2012).
• Was in a relationship with actor Marton Csokas from 2005 to 2009.
• Empire Magazine chose her character, Vesper Lynd as the 9th sexiest female character in cinema history.
• Chosen by Los Angeles Times Magazine as one of the 50 Most Beautiful Women in Film (#18). [2011].
• Good friends with Jordan Scott.
• Favorite actress is Isabelle Adjani.
• Niece of cinematographer Christian Berger.
• Was cast as the female lead in Antichrist (2009), but was dropped because of a complicated contract.
• Was a contender to play Carol Ferris in Green Lantern (2011).
• Prefers that people tell her she’s a good actress rather than she is beautiful.
• Considers Bryce Dallas Howard as one of the next big things in Hollywood.
• She would love to work with Tim Burton, Stephen Daldry, Michel Gondry, and Spike Jonze.
• Dislikes shopping.
• One of her dream acting jobs would be to portray a serial killer.
• While promoting The Golden Compass (2007) she said her daemon (animal spirit) would be a frog, because it’s French.
• Her favorite Vesper Lynd in Casino Royale (2006) outfit was a Gucci mac and black hat, “Simple but elegant.”.
• Made her first magazine cover when she was two months old.
• Had to use a stunt double for most of her action scenes in Casino Royale (2006). Even the scenes where she was running up the stairs were taken with a stunt double because she nearly broke her leg.
• She collects religious icons.
• Described her character in Cracks (2009) as complicated.
• Was cast in Kingdom of Heaven (2005) a week before filming began.
• Only sees her movies two or three times because she doesn’t enjoy seeing herself on the big screen.
• She received a letter from author Philip Pullman, in which he praised her for the performance she gave in The Golden Compass (2007), based on his novel.
• Before meeting Carla Bruni, French President Nicolas Sarkozy invited Green to join him on his campaign trail. She politely declined.
• As she was extremely shy in her youth, her mother sent her to a therapist. However, she attended acting lessons to become more open.
• Has a border terrier named Griffin?
• Enjoys running and pilates.
• Admires François Truffaut, Ingmar Bergman, Tim Burton, Lars von Trier, David Lynch and David Fincher.
• Described the atmosphere on the set of Franklyn (2008) as strange because she and her co-actor Ryan Phillippe didn’t talk much, being both very shy.
• Her parents first objected to her appearance on Bernardo Bertolucci’s The Dreamers (2003), remembering Maria Schneider’s traumatization after filming Ultimo tango a Parigi (1972).
• Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#6). [2007].
• Raised in Paris, she went to an English-speaking school.
• Studied piano and flute.
• Bought a new baby-grand piano for her London home.
• Studied English in Ramsgate, Kent, UK.
• Green is the fifth French actress to play a Bond girl.
• Plays classical music.
• Her hobby is collecting art and visiting museums.
• Was ranked #16 on Maxim’s hot list 2006.
• She turned down a role in Brian De Palma’s The Black Dahlia (2006) with Josh Hartnett and Scarlett Johansson.
• Her favorite actors are Joaquin Phoenix and Edward Norton among others.
• Her favorite film character is Adele Hugo in The Story of Adele H (1975).
• Composed music for flute and piano.
• Daughter of Walter Green and Marlène Jobert, niece of Charles Jobert, Georges Lunghini, Véronique Mucret, Marika Green and Christian Berger, cousin of Elsa Lunghini and Joséphine Jobert.
• The face of the Emporio Armani campaign.
• Nominated for Les Molieres (Paris, 2002) for the play “Jalousie en Trois Fax” for the category Revelation Theatrale Feminine.
• Has a non-identical twin sister, Joy, who studied business and is married to an Italian count. Joy and her husband reside in Normandy, where they rear horses.
• Born to French-Algerian actress Marlène Jobert and Swedish dentist Walter Green. Eva’s mother was born in Algeria, of Sephardi Jewish heritage. Eva’s father is of Swedish, French, and Breton descent. Her paternal great-grandfather was French Breton composer and music critic Paul Le Flem.

Eva Green Filmography

Eva Green Awards