Isabelle Ann Huppert

Isabelle Ann Huppert net worth is $40 Million. Also know about Isabelle Ann Huppert bio, salary, height, age weight, relationship and more …

Isabelle Ann Huppert Wiki Biography

Isabelle Anne Madeleine Huppert (French pronunciation: ​[izabɛl yˈpɛʁ]; born 16 March 1953) is a French actress of stage and screen who has appeared in more than 90 film and television productions since 1971. She is the most nominated actress for the César Award, with 14 nominations.Huppert began her career on stage and appeared in her first film in 1972. She received her first César Award nomination for the 1975 film Aloïse. She won the BAFTA Award for Most Promising Newcomer for the 1977 film The Lacemaker and the César Award for Best Actress for the 1995 film La Cérémonie. She has also twice won Best Actress at both the Cannes Film Festival and the Venice Film Festival. At Cannes, she won for Violette Noziere (1978) and La Pianiste (2001), while at Venice, she won for Story of Women (1988) and La Cérémonie (1995). Her other films include Loulou (1980), La Séparation (1994), 8 Women (2002), Gabrielle (2005) and Amour (2012). She has also done some English-language film projects such as Michael Cimino’s Heaven’s Gate (1980), David O. Russell’s I Heart Huckabees (2004) and Ned Benson’s The Disappearance of Eleanor Rigby (2013).For her stage work in France, Huppert is a five-time Molière Award nominee. She made her London stage debut in 1996 in the title role of the play Mary Stuart, and her New York stage debut in a 2005 production of 4:48 Psychosis. In 2014, she returned to the New York stage to star opposite Cate Blanchett in a Sydney Theatre Company production of The Maids, at the New York City Center theatre. She was made a Chevalier of the Legion d’honneur in 1999 and was promoted to officer in 2009. IMDB Wikipedia $40 million 1953 1953-3-16 5′ 3″ (1.6 m) 8 Women (2002) Actress Amour (2012) France I Heart Huckabees (2004) Isabelle Ann Huppert Isabelle Huppert Net Worth March 16 Paris Pisces producer Ronald Chammah Soundtrack The Piano Teacher (2001)

Isabelle Ann Huppert Quick Info

Full Name Isabelle Huppert
Net Worth $40 Million
Date Of Birth March 16, 1953
Place Of Birth Paris, France
Height 5′ 3″ (1.6 m)
Profession Actress, Soundtrack, Producer
Education National Conservatory of Dramatic Arts
Nationality French, Italian
Spouse Ronald Chammah
Children Lolita Chammah, Lorenzo Chammah, Angelo Chammah
Parents Annick Beau, Raymond Huppert
Siblings Elisabeth Huppert, Caroline Huppert, Rémi Huppert, Jacqueline Huppert
IMDB http://www.imdb.com/name/nm0001376
Awards César Award for Best Actress, Cannes Best Actress Award, European Film Award for Best Actress, Volpi Cup for Best Actress, European Film Academy Achievement in World Cinema Award, David di Donatello for Best Foreign Actress, Silver Bear for Outstanding Artistic Achievement, New York Film Critics Ci…
Nominations César Award for Best Supporting Actress, Golden Globe Award for Best Actress – Motion Picture – Drama, Molière Award for Best Actress, Molière Award for Best Actress in a Public Theatre Show, Critics’ Choice Movie Award for Best Actress, Independent Spirit Award for Best Female Lead, National…
Movies Elle, Things to Come, The Piano Teacher, Louder Than Bombs, Valley of Love, Violette Nozière, Heaven’s Gate, Love, 8 Women, Going Places, Macadam Stories, Madame Bovary, Loulou, A Judgement in Stone, The Lacemaker, My Little Princess, Abuse of Weakness, In Another Country, The Nun, Ma Mère, Story …

Isabelle Ann Huppert Trademarks

  1. Often works with female directors
  2. Often appears in the movies of Michael Haneke and Claude Chabrol

Isabelle Ann Huppert Quotes

  • [on working with new directors] Oh, it’s just a bet I take, and I’ve rarely been wrong. All the directors whose debut features I’ve made in the past seven, eight years have turned out to be real film-makers – I have a good intuition. [2016]
  • [on Elle (2016)] The film is really rich, very surprising and enigmatic. It’s elusive. It’s not a genre movie, but it’s not a non-genre movie either – it floats somewhere between Chabrol and Hitchcock, but it’s still a thousand per cent Verhoeven. There’s also a sociological dimension. It’s about a very contemporary woman, not a victim, but someone who bears up – only you don’t see her bearing up. Things just happen to her and she lives through them, without complaining. You can’t say she’s a victim, or a heroine, or a woman of power – although she is a woman of power. All those categories distract us from reality, in a way. [2016]
  • In a close-up, a flicker of the eyelids is a major event. [2016]
  • Most of my characters are very, very ordinary women. Chabrol only ever cast me as fairly ordinary characters – they just have rather particular destinies. [2016]
  • [on how much of herself does she incorporate into her roles] A role is more like a trace rather than an imprint. When I act, I am at the same time myself and the self behind the mask of fiction. From the very beginning, and still to this day, I played many characters like survivors and victims, and I always felt they were essential to those films, female leads not in the shadow of men, and central to the overall story. That was my feminism.
  • [on working with French New Wave filmmaker Claude Chabrol, and avant-garde theater director Robert Wilson] – I always felt like a butterfly caught in a net with Claude, but it was comfortable to have that feeling of being locked in his net, which was his camera. You could fly, but at the same time you had limitations, and that’s what an actor seeks, that kind of freedom and limitation. That’s what one usually gets from good directors. Robert’s staging is extremely precise, almost mathematical, so as an actor your imagination flies high, there are no limitations on how you want to create the characters; you go wherever you want to go with him, but ultimately you also go wherever he wants you to.
  • [on if there’s a role that epitomizes her legacy] It’s a combination of all my films. What is interesting is to see them all. I never think in terms of past, present, future. I feel exactly the same as when I first started – that artistic potential was already within me. I didn’t have time to bring it all to the surface right away, but it was there all along. The roles I have done then I could do them now, and the roles I do now I could have done then. I don’t feel I drastically changed in terms of talent, nor do I think my personality dramatically changed over the years. I don’t think you can define what makes a good actress. You are either good or not. Growing up, I was free to do what I wanted to do. I had a classical education and a certain curiosity for things. You can come from anywhere, in terms of social background, and be who you want to be. There is no explanation to why you become an actor – that desire springs out of nowhere.
  • [on what it’s like being a woman in the film industry in the early 21st century] I don’t experience it as a battle. I do think it is more natural to be an actress than an actor, despite the common belief that it is easier for men. I think acting is more of a feminine frame of mind. For an actor it may be a battle – I don’t mean financially but rather artistically – because the main quality required is a particular form of passivity and power, and I think it is more difficult for men to accept this type of control. It is easier for an actress to consent to that specific psychological state, which is innate to the profession. An actor, more often than an actress, will inherently want to take over the power in a heightened manner, because deep down he cannot accept what he is being asked.
  • [on what still draws her to acting] Preparing a role is a mental process. You can sleep and still prepare a role; you think about it even when you don’t think you are thinking about it. It’s mainly the prospective of meeting a director, that’s what attracts me most to my choices, that’s what gives me the unique pleasure I get from doing what I do.
  • [on why we need movies in our lives] That’s a very good question. We need them because it is a different way to make our imagination travel. We can put poetry, intelligence, beauty in movies; it’s a way of re-creating reality, which is important. If you only have reality, that’s not enough. You need transformation of reality, you need painting, music, theater and cinema.
  • A movie is a way to mingle and flow between cultures and civilizations. Movies give news from the countries where they are made on issues that preoccupy its people and stories from a director. At the end however, we remain a part of a universal language: the one of the cinema.
  • [on Captive (2012)] For me, there was no character. That’s the strength of the movie: just to be hostages and be defined by the reactions you have to the fear, the unnatural conditions, the evil that happens, but certainly not by what you are or what you were previously. Because, by definition, you are not anything anymore. You are forced info being anonymous, this loss of intimacy, this promiscuity. That’s the life of a hostage, I believe.
  • [on Claude Chabrol] Claude didn’t film me as a woman object of desire, but like a daughter, always in a simple way, intimate, very sweet.
  • My choice of roles while not entirely a choice – you have to select from what you are offered. If I seem detached or distant, it’s because I think this is a more exact reproduction of life, where you hide as much as you show. When I see a scene in which feelings get loudly exteriorized, I say to myself, ‘Well, at least this never happens to me.’ I very rarely go through this type of expression. Most of the time things are hidden or at least much more subdued.
  • Many people don’t realize that it’s in what you think are the limitations of a certain form that you can often find your own rhythm and space. I would never be able to do what I’m doing in a classical production, because in a classical staging, while you might think you’re free, you’re not. You’re submitting to convention, to something totally arbitrary. In Claude Régy’s production, it’s the contrary: Because of the form, you can fly. I experienced this for the first time onstage with Bob Wilson. With him it’s such a mathematical space, with such precise regulations, and yet I never felt so much myself.
  • [on Funny Games (1997) and Austrian director Michael Haneke] I didn’t want to do it. The film was fascinating, but for an actress, it’s just incredibly hard to play. I regretted my decision later because it’s a really great film. But at the time, I just didn’t have the courage to play in it. Later, he offered me a role in The Piano Teacher (2001) partly, I suspect, as a challenge; he said to me: ‘You’ll see – it’s worse than Funny Games !’ I read the script and I thought it wasn’t worse at all. But the scenario was in English, and perhaps there were some scenes I didn’t really read properly.
  • About her performance as Euripides’s Medea on stage: If one does theatre, it’s to show human beings. They’re not gods. In Euripides, that’s clear. He was an avant-garde writer. Medea is a little like a Hitchcock film. The gods have decided what everybody knows, that’s to say, her children are going to be killed. The spectator’s attention works just the same way as in Hitchcock. The suspense consists in learning how she’s going to kill her children. But it’s Medea who decides herself to kill the children and she isn’t directed by the gods. So there’s every reason to make her a human figure.
  • It’s just a desire to work. A desire and a need, like eating. An actress may see herself as more than a baker, but it’s the same thing. I find it really hard to resist that desire. And it’s true that that can result in some bad cakes – but that’s never happened to me. I’ve never blushed at any of the films I’ve made. I’ve been very lucky.
  • I never feel I am playing characters. I play certain states, certain ranges of emotions, certain feelings. The contours of a character are something very vague. Initially, when I read a script, I have certain pieces or images that come up to the surface. I guess the difference would be between abstract painting and figurative painting. An established character would be more like a figurative painting: you have to paint this room, you have to paint the curtains, and so on. I think it’s more interesting to consider acting as non-figurative painting. As a canvas on to which you throw things. It can be a colour, it can be a rhythm, it can be music. And it’s also a vision of yourself. When I read the script of Ma Mère, I thought it was very difficult to do. Because in principle it’s a story about incest, even though it’s much more than this. I hesitated a lot over whether I was going to do it, and I had this very fugitive impression of the role – for me it was like a flame. I saw this woman as a little bit of fire, being very unstable, rickety, not very steady on her feet. I had this vision of my body – sometimes that’s enough.
  • I have attempted to keep this constant link between the films and roles I choose to do and my own persona. That’s why it’s so difficult to choose what film to do, and the people I work with. It’s like there is no division between doing a film and your own life. Making movies has so much to do with privacy, with intimacy. I think that in order to make a film I have to feel this potential, this possibility, of being private – more private and intimate than at home. It’s not a public matter for me, being an actress – it’s a really private matter. Most of the time that’s what cinema is. It’s public, it’s private, and that’s why movies create such an emotional impact. It’s also very pragmatic. It’s just work we’re talking about. The rest belongs to me.
  • I don’t think you work with Godard, you experience… Doing a movie with Godard – I have done two, which means I have spent almost two years with him – it’s more like doing an incomparable experience. Just watching Godard – it’s a gift for an actress to make films with him. When I say you don’t work with Godard I mean that you don’t go through any classical path where you build a character. With Godard it’s degree zero – you don’t do anything, it’s a very strange feeling. And yet it is acting – it’s very highly stylised and he’s very directive. The reason is always very precise, there is never any improvisation. I think, finally, he manages to get everybody to talk like him. It’s true! He always wants to close the sense at the end of a line. He closes the sense. It’s very strange. You can’t say, “I’m doing a Godard and I’m playing a prostitute,” because Godard is so far away from any assembly of images you may have about that character. That’s why he’s a great director – more than a great director, a great thinker of cinema.
  • I don’t believe one ever plays characters, one plays states of mind. A character is completely meaningless to me. One goes through states of mind and tries to link them together.
  • A great film is always a metaphor for the direction. A great director always says what he thinks of the cinema through his work, through a fictional story. It is always a reflection of what it is to be a director, what is a movie, what is an audience. It’s always the same case. In the case of La Pianiste (The Piano Teacher), Michael Haneke talks about control and loss of control, and he was filming a woman who I felt was more identified with the situation of the director. This is a woman who controls her desire, exactly as a director controls his own desire and the audience’s desire. In the film, the woman is not the object of desire, she is the one who wants to control her desire. That is why as a film – I’m not even talking about the story – as a film it is interesting because he has changed the status of an actress in a film. That is why the sexual scenes were easier for me to do because I am not set up in the usual situation of being an object of a man’s desire, I am the one who controls the desire of the man. So I felt completely protected by this change of focus.
  • I don’t try to sympathise with my characters, I just try to empathise with them. To try to understand. If I sympathised with the characters I would make idealised, romantic characters out of them, which I don’t do. I don’t idealise them, I just do normal characters, not very sympathetic, but just the way they are. I think I do this in films that are made in the shape of a question, not in the shape of an answer. They just try to make a very open statement and it is down to anyone’s subjectivity to find his own answer to that.
  • I don’t know if you ever say to yourself that you want to be an actress. It eventually becomes a social function – you are an actress and you make a living out of it, but at the beginning it’s more a matter of how to survive, or how to exist in a certain way. I think being an actress is more how to cope with the fact that you can’t do anything else than to express a talent. It’s a way of being untalented for anything. To say, “I want to be an actress” is to say, “I can’t do anything else, so let’s try to be an actress.
  • I think being actor is more difficult for men. The very best actors are not afraid of playing with their own femininity and leaving aside power struggles with the director. Because there’s no getting around it: on a film set, it’s the director who has the power. This fact is often more difficult to accept for an actor than for an actress.
  • Body language in the cinema is thus very particular. The screen can transmit an image very different of the body. In life, we see each other by facing each other. In the cinema, one is astonished to discover oneself from another angle. But at the same time there is no obligation to look. Serge Daney used to say that the work of actors is the make movies, and the work of the spectator is to look at them.
  • A script, even it differs from filmmaker to filmmaker, never tells the whole story; there are always elements that need to be invented. As soon as one decides to take a role after having read the script, the various elements begin to fall into place. A character begins to take shape. And regardless of whether the information given is ample or not, it appears to one, strangely, as an apparition. From that moment, one knows whether or not this figure will be able to pass through one; if there is a meeting point.
  • Acting is a way of living out one’s insanity.

Isabelle Ann Huppert Important Facts

  • €220,000
  • FRF1,800,000
  • In 2012, she starred in two films that competed for the Palme d’Or at the 2012 Cannes Film Festival; Amour (2012) and Da-reun na-ra-e-seo (2012).
  • Her father was of Hungarian Jewish descent. Her mother was of French background.
  • Michael Haneke is her favorite director to work with.
  • She was Michael Haneke’s first choice for the role of Anna in Funny Games (1997), but she declined the offer because she was scared to do it. The role went to Susanne Lothar instead.
  • In 2012, 32 years after her American film debut in Heaven’s Gate (1980), a newly restored director’s cut was re-released to acclaim in New York City and Venice, just as Huppert was featured in the year’s Oscar-winning foreign-language film Amour (2012).
  • In the ’70s, Huppert shared an apartment with Isabelle Adjani and the late actress Christine Pascal.
  • Appointed the president of the jury for the 2009 Cannes Film Festival [January 2, 2009].
  • Auditioned for the Holly Hunter role in The Piano (1993).
  • Her stage performance as “Hedda Gabler” in Ibsen’s play was critically acclaimed and awarded at the Mostra in Venice (2005).
  • Is interested in photography.
  • Born to Raymond Huppert, an engineer, and his wife Annick, an English teacher.
  • Friend of Kim Cattrall.
  • Graduated from the CNSAD (National Conservatory of Dramatic Art of Paris)
  • Member of the jury at the Cannes Film Festival in 1984.
  • During the shooting of 8 femmes (2002), Isabelle was always hungry at 5 P.M. and had to eat bread. As this made Danielle Darrieux also feel hungry, they shared their bread.
  • Isabelle Huppert starred with her daughter Lolita Chammah in four films, Copacabana (2010), La vie moderne (2000), Malina (1991) and Story of Women (1988).
  • Plays the piano.
  • Has recorded an album with French singer/”rock star” Jean-Louis Murat called “Madame Deshoulières”. They sing/recite lyrics taken from poems of nearly unknown 16th century writer Antoinette Deshoulières. (Album released in France by “Labels” on 26 March 2001.)
  • Most nominated actress for the César Award. As of 2016, she has been nominated 15 times, and won once, for La Cérémonie (1995). She has 13 nominations for Best Actress and 2 nominations for Best Supporting Actress.
  • She is the actress who has had the most films in the official competition of the Cannes Film Festival (18 films, as of 2016), and one of the four who have won the Best Interpretation Awards twice – for Violette (1978) in 1978 and The Piano Teacher (2001) in 2001 (the others are Vanessa Redgrave for Morgan! (1966) in 1966 and Isadora (1968) in 1968, Helen Mirren for Cal (1984) in 1984 and The Madness of King George (1994) in 1995, and Barbara Hershey for Shy People (1987) in 1987 and A World Apart (1988) in 1988).
  • Mother of 3 children: Lolita Chammah (born in October 1983), Lorenzo (born in January 1986) and Angelo (born in August 1997), all fathered by Ronald Chammah, who directed her in Milan noir (1988).
  • She is the youngest of five children, three sisters and a brother: director Caroline Huppert, actress/writer/director Elisabeth Huppert, Jacqueline and Rémi.
  • Saw the French team’s victory at the Stade de France in the final of XVI FIFA World Cup 1998 (1998) together with her son.
  • Sister of Elisabeth Huppert.

Isabelle Ann Huppert Filmography

Title Year Status Character Role
Barrage 2017 post-production Elisabeth Actress
Marvin 2017 post-production Isabelle Actress
Happy End 2017 post-production Actress
Madame Hyde 2017 filming Actress
The Sleeping Shepherd 2017 pre-production Marie Actress
Untitled Hang Sang-soo Project 2017 post-production Actress
Ce qui nous éloigne 2016 Short Isabelle Actress
Souvenir 2016/I Liliane Actress
Les fausses confidences 2016 TV Movie Araminte Actress
Tout de suite maintenant 2016 Solveig Actress
Elle 2016/I Michèle Leblanc Actress
L’avenir 2016 Nathalie Chazeaux Actress
Valley of Love 2015 Isabelle (as Huppert) Actress
Louder Than Bombs 2015 Isabelle Actress
Asphalte 2015 Jeanne Meyer Actress
La ritournelle 2014 Brigitte Lecanu Actress
The Disappearance of Eleanor Rigby: Them 2014 Mary Rigby Actress
Le tourbillon de Jeanne 2013 TV Series Aude Actress
The Disappearance of Eleanor Rigby: Her 2013 Mary Rigby Actress
The Disappearance of Eleanor Rigby: Him 2013 Mary Rigby Actress
Abus de faiblesse 2013 Maud Shainberg Actress
Tip Top 2013 Esther Lafarge Actress
Dead Man Down 2013 Valentine Louzon Actress
Au bonheur des ogres 2013 L’éditrice (uncredited) Actress
La religieuse 2013 Supérieure Saint-Eutrope Actress
As Linhas de Torres Vedras 2012 TV Mini-Series Cosima Pia Actress
Linhas de Wellington 2012 Cosima Pia Actress
Bella addormentata 2012 Divina Madre Actress
Da-reun na-ra-e-seo 2012 Anne Actress
Amour 2012 Eva Actress
Captive 2012/I Thérèse Bourgoine Actress
Dubaï Flamingo 2012 La chèvre (voice, uncredited) Actress
Mon pire cauchemar 2011 Agathe Novic Actress
My Little Princess 2011 Hanah Giurgiu Actress
Sans queue ni tête 2010 Alice Bergerac Actress
Law & Order: Special Victims Unit 2010 TV Series Sophie Gerard Actress
Copacabana 2010 Elisabeth Delmotte dite Babou Actress
White Material 2009 Maria Vial Actress
Villa Amalia 2009 Ann Actress
Un barrage contre le Pacifique 2008 La mère Actress
Home 2008/II Marthe Actress
L’amore nascosto 2007 Danielle Actress
Médée miracle 2007 Irène-Médée Actress
Nue propriété 2006 Pascale Actress
Comedy of Power 2006 Jeanne Charmant-Killman Actress
Gabrielle 2005 Gabrielle Hervey Actress
Les soeurs fâchées 2004 Martine Demouthy Actress
I Heart Huckabees 2004 Caterine Vauban Actress
Ma mère 2004 Hélène Actress
Time of the Wolf 2003 Anne Laurent Actress
La vie promise 2002 Sylvia Actress
Deux 2002 Magdalena / Maria Actress
8 femmes 2002 Augustine Actress
The Piano Teacher 2001 Erika Kohut Actress
Médée 2001 TV Movie Médée Actress
Comédie de l’innocence 2000 Ariane Actress
Merci pour le Chocolat 2000 Marie-Claire ‘Mika’ Muller Actress
Les destinées 2000 Nathalie Barnery Actress
Saint-Cyr 2000 Madame de Maintenon Actress
La fausse suivante 2000 La comtesse Actress
La vie moderne 2000 Claire Actress
Keep It Quiet 1999 Agnès Jeancourt Actress
The School of Flesh 1998 Dominique Actress
The Swindle 1997 Elizabeth / Betty Actress
Les palmes de M. Schutz 1997 Marie Curie Actress
Elective Affinities 1996 Carlotta Actress
Gulliver’s Travels 1996 TV Mini-Series Mistress Actress
La Cérémonie 1995 Jeanne la postière Actress
La séparation 1994 Anne Actress
Amateur 1994 Isabelle Actress
Navodneniye 1993 Sofia Actress
Après l’amour 1992 Lola Actress
Madame Bovary 1991 Emma Bovary Actress
Malina 1991 Die Frau Actress
La vengeance d’une femme 1990 Cécile Actress
Seobe 1989 Dafina Actress
Milan noir 1988 Sarah Actress
Story of Women 1988 Marie Actress
Les possédés 1988 Maria Sjatov Actress
The Bedroom Window 1987 Sylvia Wentworth Actress
Cactus 1986 Colo Actress
Sac de noeuds 1985 Rose-Marie Martin – la femme maltraitée d’un flic violent Actress
Sincerely Charlotte 1985 Charlotte Actress
La garce 1984 Aline Kaminker / Édith Weber Actress
My Best Friend’s Girl 1983 Viviane Actress
Entre Nous 1983 Lena Weber Actress
Storia di Piera 1983 Piera Actress
La Truite (The Trout) 1982 Frédérique Actress
Godard’s Passion 1982 Isabelle Actress
Eaux profondes 1981 Melanie Actress
Coup de torchon 1981 Rose Mercaillou Actress
Les ailes de la colombe 1981 Marie Actress
La storia vera della signora dalle camelie 1981 Alphonsine Plessis Actress
Bande-annonce de ‘Sauve qui peut (la vie)’ 1980 Short Actress
Heaven’s Gate 1980 Ella Watson Actress
Loulou 1980 Nelly Actress
Örökség 1980 Irène Actress
Every Man for Himself 1980 Isabelle Rivière Actress
Les soeurs Brontë 1979 Anne Brontë Actress
Retour 1979 Jeanne Kern Actress
Il était un musicien 1978 TV Series La jeune fille Actress
Violette 1978 Violette Nozière Actress
No Trifling with Love 1977 TV Movie Camille Actress
Les indiens sont encore loin 1977 Jenny Kern Actress
Des enfants gâtés 1977 La secrétaire du député (uncredited) Actress
The Lacemaker 1977 Pomme Actress
Je suis Pierre Rivière 1976 Aimée Actress
Le petit Marcel 1976 Yvette Actress
Le juge et l’assassin 1976 Rose Actress
Docteur Françoise Gailland 1976 Élisabeth Gailland Actress
Le grand délire 1975 Marie Actress
Aloïse 1975 Aloïse jeune Actress
Rosebud 1975 Helene Actress
The Common Man 1975 Brigitte Colin Actress
Sérieux comme le plaisir 1975 Une fille ramenée Actress
L’ampélopède 1974 La conteuse Actress
Plaies et bosses 1974 TV Movie Patsy Lackan Actress
Madame Baptiste 1974 TV Movie Blanche Actress
Going Places 1974 Jacqueline Actress
Successive Slidings of Pleasure 1974 L’étudiante Actress
Vogue la galère 1973 TV Movie Clotilde Actress
Le drakkar 1973 TV Movie Yolande Actress
Le maître de pension 1973 TV Movie Annie Actress
Histoire vraie 1973 TV Movie Adelaïde Actress
Qui êtes-vous Monsieur Renaudot? 1972 TV Movie Marthe 13 ans Actress
César and Rosalie 1972 Marite Actress
Figaro-ci, Figaro-l 1972 TV Movie Pauline Actress
Le bar de la fourche 1972 Annie Smith Actress
Faustine et le bel été 1972 Student #2 Actress
Les cent livres des hommes 1971 TV Series Gilberte Actress
Le prussien 1971 TV Movie Elisabeth Actress
Les soeurs fâchées 2004 performer: “Rue de Jollieres” Soundtrack
8 femmes 2002 performer: “Message personnel” Personal message Soundtrack
Sincerely Charlotte 1985 performer: “Souvenirs Chiffonnés” Soundtrack
Le juge et l’assassin 1976 performer: “La Commune Est En Lutte”, “Promenade” Soundtrack
Navodneniye 1993 associate producer Producer
Wanda 1970 presenter: Re-release 2003 in France Miscellaneous
Henri Cartier-Bresson: The Impassioned Eye 2003 Documentary thanks Thanks
La cloche 1998 Short thanks Thanks
Le bassin de J.W. 1997 acknowledgment Thanks
Cinema 3 2016 TV Series Herself – Interviewee Self
Verhoeven Versus Verhoeven 2016 Documentary Herself – Actress Self
Rencontres de cinéma 2010-2016 TV Series Herself Self
Close Encounters with Vilmos Zsigmond 2016 Documentary Herself Self
C 2013-2016 TV Series Herself Self
Le grand journal de Canal+ 2009-2015 TV Series documentary Herself Self
A.M.P.A.S. Tribute Film: Jean Claude Carriere 2014 TV Movie Herself Self
Dior et Moi 2014 Documentary Herself (uncredited) Self
Balkan Spirit 2013 Documentary Herself Self
Michael H. Profession: Director 2013 Documentary Herself Self
Días de cine 2009-2012 TV Series Herself – Interviewee Self
Le petit journal 2011 TV Series Herself Self
20 heures le journal 2000-2011 TV Series Herself – Interviewee Self
Les enfants de la télé 2011 TV Series Herself Self
Mondo Lux – Die Bilderwelten des Werner Schroeter 2011 Documentary Herself Self
The 2009 European Film Awards 2009 TV Special Herself – Award Recipient Self
Mein Leben 2009 TV Series documentary Herself Self
TV Festival Du Cannes 2009 2009 TV Movie Herself Self
Le cinéma français est en voyage d’affaires 2009 TV Movie documentary Herself Self
Ce soir (ou jamais!) 2009 TV Series Herself Self
La traversée du désir 2009 Documentary Herself Self
Europas Erbe – Die großen Dramatiker 2008 TV Series Herself Self
Empreintes 2008 TV Series documentary Herself Self
La nuit des Césars 1977-2006 TV Series documentary Herself / Herself – La présidente des Césars / Herself – César de la meilleure actrice Self
On ne peut pas plaire 2006 TV Series Herself Self
Først & sist 2006 TV Series Herself Self
Charlie Rose 2005 TV Series Herself – Guest Self
El Magacine 2005 TV Series Herself Self
La nit al dia 2005 TV Series Herself / Hedda Gabler Self
I Heart Huckabees: Production Surveillance 2005 Video documentary short Herself Self
La semaine du cinéma 2004 TV Series Herself Self
Tout le monde en parle 2004 TV Series Herself Self
Comme au cinéma 2000-2004 TV Series documentary Herself Self
20h10 pétantes 2004 TV Series Herself Self
Premio Donostia a Isabelle Huppert 2003 TV Special Herself – Honoree Self
Liebesversuche – Portrait Werner Schroeter 2003 TV Movie documentary Herself Self
Henri Cartier-Bresson: The Impassioned Eye 2003 Documentary Herself Self
La case de l’oncle Doc 2003 TV Series documentary Herself Self
Exclusif 2002 TV Series Herself Self
Ombre et lumière 2001 TV Series documentary Herself Self
+ de cinéma 2001 TV Series documentary short Herself Self
Bouillon de culture 1991-2001 TV Series documentary Herself Self
Isabelle Huppert, une vie pour jouer 2001 TV Movie documentary Self
Vivement dimanche 2000 TV Series Herself – Main Guest Self
Vivement dimanche prochain 2000 TV Series Herself Self
Signé croisette 1998 TV Series Herself Self
Nulle part ailleurs 1997 TV Series Herself Self
Poussières d’amour – Abfallprodukte der Liebe 1996 Documentary Interviewer Self
Lumière et compagnie 1995 Documentary Récitante: Segment Abbas Kiarostami (voice) Self
Un siècle d’écrivains 1995 TV Series documentary Récitante Self
A Film és… I.-XIV 1995 TV Series documentary Herself (1995) Self
The 49th Annual Golden Globe Awards 1992 TV Special Herself Self
Contre l’oubli 1991 Herself (segment “Pour d’Archana Guha, Inde”) Self
The 62nd Annual Academy Awards 1990 TV Special Herself – Presenter: Gordon E. Sawyer Award Self
The 47th Annual Golden Globe Awards 1990 TV Special Herself – Presenter Self
7 sur 7 1989 TV Series Herself Self
La biennale di Venezia: 45ª Mostra internazionale del cinema 1988 TV Movie Herself Self
Cinéma cinémas 1987 TV Series documentary Herself Self
Thierry Mugler 1985 Documentary Herself (Invalids Sequence) Self
Champs-Elysées 1985 TV Series Herself Self
Mardi cinéma 1983-1985 TV Series documentary Herself Self
Ciné regards 1978-1981 TV Series documentary Herself Self
Quelques remarques sur la réalisation et la production du film ‘Sauve qui peut (la vie)’ 1979 Short Herself Self
Gala de l’union 1978 TV Series Herself Self
Numéro 1 1976-1978 TV Series Herself Self
Monsieur Cinéma 1978 TV Series Herself Self
Les rendez-vous du dimanche 1977 TV Series Herself Self
Colpo di scena 2014 TV Series Herself Archive Footage
Dai nostri inviati: La Rai racconta la Mostra del cinema di Venezia 1980-1989 2013 TV Movie documentary Herself Archive Footage
Cinémas 2010 TV Series Herself Archive Footage
Cannes, 60 ans d’histoires 2007 TV Movie documentary Herself Archive Footage
Danielle Darrieux, une vie de cinéma 2007 TV Movie Herself Archive Footage
Premio Donostia a Matt Dillon 2006 TV Special Herself Archive Footage
Premio Donostia a Max Von Sydow 2006 TV Special Herself Archive Footage
Cinema mil 2005 TV Series Betty Archive Footage
French Beauty 2005 TV Movie documentary Herself Archive Footage
Final Cut: The Making and Unmaking of Heaven’s Gate 2004 Documentary Ella Watson Archive Footage
Les voleurs de la nuit 1984 ‘La Dame aux Camelias’ (uncredited) Archive Footage

Isabelle Ann Huppert Awards

Year Award Ceremony Nomination Movie Category
2016 ICS Cannes Award International Cinephile Society Awards Grand Prix Elle (2016) Won
2016 Honorary Lumiere Award Lumiere Awards, France Won
2014 CineMerit Award Munich Film Festival Won
2013 Golden Camera 300 for Lifetime Achievement Brothers Manaki International Film Festival Won
2012 Honorary Award of the Festival Marrakech International Film Festival Won
2011 Silver Gateway Bombay International Film Festival Best Actress My Little Princess (2011) Won
2011 BFI Fellowship British Film Institute Awards Won
2011 Joseph Plateau Honorary Award Ghent International Film Festival Won
2011 Honorary Award Istanbul International Film Festival Won
2011 Excellence Award Locarno International Film Festival Won
2011 Hand Printing Pusan International Film Festival Won
2011 Lifetime Achievement Award Stockholm Film Festival Won
2010 Best Actress Cairo International Film Festival Copacabana (2010) Won
2010 João Bénard da Costa Special Jury Award Lisbon & Estoril Film Festival Copacabana (2010) Won
2010 Special Jury Award Philadelphia Film Festival Best Actress Copacabana (2010) Won
2009 Outstanding European Achievement in World Cinema European Film Awards Won
2009 European Silver Ribbon Italian National Syndicate of Film Journalists L’amore nascosto (2007) Won
2009 Special Prize for Outstanding Contribution to World Cinema Karlovy Vary International Film Festival Won
2009 Special Artistic Achievement Award Shanghai International Film Festival Won
2008 Krzysztof Kieslowski Award Camerimage Won
2008 Best Actress Mar del Plata Film Festival Home (2008) Won
2008 Grand Prix Special des Amériques Montréal World Film Festival Won
2008 Stanislavsky Prize Moscow International Film Festival Won
2008 Coup de Coeur Namur International Festival of French-Speaking Film Won
2007 Actor’s Mission Award Art Film Festival Won
2006 Lumiere Award Lumiere Awards, France Best Actress (Meilleure comédienne) Gabrielle (2005) Won
2005 Special Lion for the Overall Work Venice Film Festival Won
2003 Audience Award Chlotrudis Awards Best Supporting Actress 8 femmes (2002) Won
2003 Chlotrudis Award Chlotrudis Awards Best Actress La pianiste (2001) Won
2003 Career David David di Donatello Awards Won
2003 Douglas Sirk Award Hamburg Film Festival Won
2003 Donostia Lifetime Achievement Award San Sebastián International Film Festival Won
2003 Critics Award SESC Film Festival, Brazil Best Foreign Actress (Melhor Atriz Estrangeira) La pianiste (2001) Won
2003 Audience Award SESC Film Festival, Brazil Best Foreign Actress (Melhor Atriz Estrangeira) La pianiste (2001) Won
2003 Étoile d’Or Étoiles d’Or, France Best Actress (Meilleure actrice) 8 femmes (2002) Won
2002 Silver Berlin Bear Berlin International Film Festival Outstanding Artistic Achievement 8 femmes (2002) Won
2002 European Film Award European Film Awards European Actress 8 femmes (2002) Won
2002 Golden Arena Pula Film Festival Best Actress – Foreign Film La pianiste (2001) Won
2002 Golden Aries Russian Guild of Film Critics Best Foreign Actress 8 femmes (2002) Won
2002 Special Award San Diego Film Critics Society Awards Les destinées sentimentales (2000) Won
2002 SFFCC Award San Francisco Film Critics Circle Best Actress La pianiste (2001) Won
2002 Golden Space Needle Award Seattle International Film Festival Best Actress La pianiste (2001) Won
2002 Taormina Arte Award Taormina International Film Festival Won
2001 Best Actress Cannes Film Festival La pianiste (2001) Won
2001 European Film Award European Film Awards European Actress La pianiste (2001) Won
2001 European Actors Award Filmfest Ludwigsburg Won
2001 Lumiere Award Lumiere Awards, France Best Actress (Meilleure comédienne) Merci pour le chocolat (2000) Won
2001 Golden Aries Russian Guild of Film Critics Best Foreign Actress La pianiste (2001) Won
2001 Platinum Award for Cinematic Excellence Viareggio EuropaCinema Won
2000 Best Actress Montréal World Film Festival Merci pour le chocolat (2000) Won
1996 César César Awards, France Best Actress (Meilleure actrice) La cérémonie (1995) Won
1996 Lumiere Award Lumiere Awards, France Best Actress (Meilleure actrice) La cérémonie (1995) Won
1995 Volpi Cup Venice Film Festival Best Actress La cérémonie (1995) Won
1995 Pasinetti Award Venice Film Festival Best Actress La cérémonie (1995) Won
1991 Film Award in Gold German Film Awards Best Performance by an Actress in a Leading Role (Beste darstellerische Leistung – Weibliche Hauptrolle) Malina (1991) Won
1991 Silver St. George Moscow International Film Festival Best Actress Madame Bovary (1991) Won
1990 Sant Jordi Sant Jordi Awards Best Foreign Actress (Mejor Actriz Extranjera) Une affaire de femmes (1988) Won
1989 Golden Precolumbian Circle Bogota Film Festival Best Actress Une affaire de femmes (1988) Won
1988 Best Actress Valladolid International Film Festival Une affaire de femmes (1988) Won
1988 Volpi Cup Venice Film Festival Best Actress Une affaire de femmes (1988) Won
1986 Silver Medallion Award Telluride Film Festival, US Won
1980 David David di Donatello Awards Best Foreign Actress (Migliore Attrice Straniera) La dentellière (1977) Won
1978 BAFTA Film Award BAFTA Awards Most Promising Newcomer to Leading Film Roles La dentellière (1977) Won
1978 Best Actress Cannes Film Festival Violette Nozière (1978) Won
1976 Suzanne Bianchetti Award SACD Awards Won
2016 ICS Cannes Award International Cinephile Society Awards Grand Prix Elle (2016) Nominated
2016 Honorary Lumiere Award Lumiere Awards, France Nominated
2014 CineMerit Award Munich Film Festival Nominated
2013 Golden Camera 300 for Lifetime Achievement Brothers Manaki International Film Festival Nominated
2012 Honorary Award of the Festival Marrakech International Film Festival Nominated
2011 Silver Gateway Bombay International Film Festival Best Actress My Little Princess (2011) Nominated
2011 BFI Fellowship British Film Institute Awards Nominated
2011 Joseph Plateau Honorary Award Ghent International Film Festival Nominated
2011 Honorary Award Istanbul International Film Festival Nominated
2011 Excellence Award Locarno International Film Festival Nominated
2011 Hand Printing Pusan International Film Festival Nominated
2011 Lifetime Achievement Award Stockholm Film Festival Nominated
2010 Best Actress Cairo International Film Festival Copacabana (2010) Nominated
2010 João Bénard da Costa Special Jury Award Lisbon & Estoril Film Festival Copacabana (2010) Nominated
2010 Special Jury Award Philadelphia Film Festival Best Actress Copacabana (2010) Nominated
2009 Outstanding European Achievement in World Cinema European Film Awards Nominated
2009 European Silver Ribbon Italian National Syndicate of Film Journalists L’amore nascosto (2007) Nominated
2009 Special Prize for Outstanding Contribution to World Cinema Karlovy Vary International Film Festival Nominated
2009 Special Artistic Achievement Award Shanghai International Film Festival Nominated
2008 Krzysztof Kieslowski Award Camerimage Nominated
2008 Best Actress Mar del Plata Film Festival Home (2008) Nominated
2008 Grand Prix Special des Amériques Montréal World Film Festival Nominated
2008 Stanislavsky Prize Moscow International Film Festival Nominated
2008 Coup de Coeur Namur International Festival of French-Speaking Film Nominated
2007 Actor’s Mission Award Art Film Festival Nominated
2006 Lumiere Award Lumiere Awards, France Best Actress (Meilleure comédienne) Gabrielle (2005) Nominated
2005 Special Lion for the Overall Work Venice Film Festival Nominated
2003 Audience Award Chlotrudis Awards Best Supporting Actress 8 femmes (2002) Nominated
2003 Chlotrudis Award Chlotrudis Awards Best Actress La pianiste (2001) Nominated
2003 Career David David di Donatello Awards Nominated
2003 Douglas Sirk Award Hamburg Film Festival Nominated
2003 Donostia Lifetime Achievement Award San Sebastián International Film Festival Nominated
2003 Critics Award SESC Film Festival, Brazil Best Foreign Actress (Melhor Atriz Estrangeira) La pianiste (2001) Nominated
2003 Audience Award SESC Film Festival, Brazil Best Foreign Actress (Melhor Atriz Estrangeira) La pianiste (2001) Nominated
2003 Étoile d’Or Étoiles d’Or, France Best Actress (Meilleure actrice) 8 femmes (2002) Nominated
2002 Silver Berlin Bear Berlin International Film Festival Outstanding Artistic Achievement 8 femmes (2002) Nominated
2002 European Film Award European Film Awards European Actress 8 femmes (2002) Nominated
2002 Golden Arena Pula Film Festival Best Actress – Foreign Film La pianiste (2001) Nominated
2002 Golden Aries Russian Guild of Film Critics Best Foreign Actress 8 femmes (2002) Nominated
2002 Special Award San Diego Film Critics Society Awards Les destinées sentimentales (2000) Nominated
2002 SFFCC Award San Francisco Film Critics Circle Best Actress La pianiste (2001) Nominated
2002 Golden Space Needle Award Seattle International Film Festival Best Actress La pianiste (2001) Nominated
2002 Taormina Arte Award Taormina International Film Festival Nominated
2001 Best Actress Cannes Film Festival La pianiste (2001) Nominated
2001 European Film Award European Film Awards European Actress La pianiste (2001) Nominated
2001 European Actors Award Filmfest Ludwigsburg Nominated
2001 Lumiere Award Lumiere Awards, France Best Actress (Meilleure comédienne) Merci pour le chocolat (2000) Nominated
2001 Golden Aries Russian Guild of Film Critics Best Foreign Actress La pianiste (2001) Nominated
2001 Platinum Award for Cinematic Excellence Viareggio EuropaCinema Nominated
2000 Best Actress Montréal World Film Festival Merci pour le chocolat (2000) Nominated
1996 César César Awards, France Best Actress (Meilleure actrice) La cérémonie (1995) Nominated
1996 Lumiere Award Lumiere Awards, France Best Actress (Meilleure actrice) La cérémonie (1995) Nominated
1995 Volpi Cup Venice Film Festival Best Actress La cérémonie (1995) Nominated
1995 Pasinetti Award Venice Film Festival Best Actress La cérémonie (1995) Nominated
1991 Film Award in Gold German Film Awards Best Performance by an Actress in a Leading Role (Beste darstellerische Leistung – Weibliche Hauptrolle) Malina (1991) Nominated
1991 Silver St. George Moscow International Film Festival Best Actress Madame Bovary (1991) Nominated
1990 Sant Jordi Sant Jordi Awards Best Foreign Actress (Mejor Actriz Extranjera) Une affaire de femmes (1988) Nominated
1989 Golden Precolumbian Circle Bogota Film Festival Best Actress Une affaire de femmes (1988) Nominated
1988 Best Actress Valladolid International Film Festival Une affaire de femmes (1988) Nominated
1988 Volpi Cup Venice Film Festival Best Actress Une affaire de femmes (1988) Nominated
1986 Silver Medallion Award Telluride Film Festival, US Nominated
1980 David David di Donatello Awards Best Foreign Actress (Migliore Attrice Straniera) La dentellière (1977) Nominated
1978 BAFTA Film Award BAFTA Awards Most Promising Newcomer to Leading Film Roles La dentellière (1977) Nominated
1978 Best Actress Cannes Film Festival Violette Nozière (1978) Nominated
1976 Suzanne Bianchetti Award SACD Awards Nominated