Debra Lynn Winger’s net worth is $16 Million. Also know about Debra Lynn Winger bio, salary, height, age weight, relationship, and more …

Debra Lynn Winger Wiki Biography

• Debra Lynn Winger was born in Cleveland Heights, Ohio, on May 16, 1955. 
• She is an actress who has earned Academy Award nominations for films such as “Words of Endearment,” “An Officer and a Gentlemen,” and “Shadowlands.” 
• Her success in “A Dangerous Woman” won her a Tokyo International Film Festival Award, and her efforts have contributed to her current net worth. 
• Debra Winger’s net worth is undisclosed. 
• According to reports, she has a net worth of $16 million as of mid-2016, largely derived from a lucrative acting career. 
• She’s also known for her stage appearances and roles in numerous television shows, in addition to her film roles. 
• The winger has also dabbled in production work, so her net worth is expected to rise as she progresses in her career. 
• Debra was blinded and partly paralyzed for ten months after a car accident when she was young. 
• During her rehabilitation, she made the decision to pursue a career as an actress. 
• “Slumber Party ’57,” a sexploitation film considered a precursor to pornographic films, was one of her first films, released in 1976. 
• In the late 1990s, she took a break from acting and didn’t return until 2001 in the film “Big Bad Love.” 
• Prior to appearing in the film, she had performed in a number of stage productions, including “Ivanov.” 
• She also became a producer for the first time with “Big Bad Love.” 
• Soon after, a documentary film titled “Searching for Debra Winger” was released, and she returned to acting with roles as Anne Hathaway’s mother in “Radio,” “Eulogy,” “Sometimes in April,” and “Rachel Getting Married.” 
• One of her most recent films is “The Ranch,” which will be released in 2016 and stars Ashton Kutcher and Sam Elliot. 
• In terms of her personal life, she is considered to have had a three-year relationship with Andrew Rubin. 
• From 1983 to 1985, she dated former Nebraska, Governor Bob Kerrey. 
• She was said to have dated Nick Nolte, who co-starred with her in the films “Cannery Row” and “Everybody Wins.” 
• In 1986, she married actor Timothy Hutton, with whom she had a son who went on to become a documentary filmmaker. 
• They divorced in 1990, and she married Arliss Howard, a comedian, six years later. 

Debra Lynn Winger Quick Info

Debra Lynn Winger Trademarks

1. Deep throaty voice

Debra Lynn Winger Quotes

• [In 2008, responding to Lynda Carter’s claim that Winger made disparaging comments about the 1970s “Wonder Woman” show where they played sisters] I don’t know what she’s referring to except I used to make jokes about her costumes. But she did have these golden tits that stuck out and when she turned, they didn’t. I was 18 years old, staring at these gold bazooms that didn’t move. That’s all I ever said. So there you go. Lighten up.
• [She earned Best Actress Oscar nominations for playing young women who died of cancer in Terms of Endearment (1983) and in Shadowlands (1993)] I remember walking through the living room years ago when the series Roseanne (1988) was on. John Goodman said, “Come on, do you want to go down to the multiplex and watch Debra Winger cough up another lung?” It was the funniest line to me. Then I realized, that’s it for me. I can never do another film about death. I’ve cashed that card.
• [In 2010, 17 years after her Oscar-nominated performance in Shadowlands (1993) came out, she told the “New York Times”] It was the most literate script I’ve ever read. I was sad every day that I wouldn’t ever say those lines again.
• [on An Officer and a Gentleman (1982)] I run in to Richard Gere quite a lot and he half jokes, ‘Are you still saying terrible things about me?’
• [on her film debut in Slumber Party ’57 (1976)] A cigar-smoking agent had signed me while I was waitressing, but that only resulted in a blue movie.
• [on Urban Cowboy (1980)]: I loved it. It was the opening of everything for me because of the way James Bridges worked: the freedom, the collaboration, the end product. It was a slice of life, that movie. I’m real proud of it.
• I do admit to being challenging, but it’s always for the work, it’s never personal. I will walk out on a scene if it’s all lit and ready to go but it’s not happening. Just because we’re on schedule is no reason to shoot bad acting. Someone once said to me, “You’re inconsiderate.” And I said, “Inconsiderate? Bad acting is the ultimate inconsideration.” It’s a collective slap to a million faces at the same time.
• [on Legal Eagles (1986)] I don’t regret doing it, but I don’t think it stands on its own against good films. It was a nightmare to make. Shooting was supposed to be ten weeks, and it went on for four months. And it was fat – almost $40 million – and, politically, I’m opposed to that kind of money unless it’s an epic. I took my salary and left.
• I used to love going on a junket and promoting a film when it was not a 24-hour news cycle, and when there weren’t so many media outlets. You could actually talk about the film. And I don’t mean to harp on this because, really, it’s fine. It’s just that it eats itself. It becomes about itself, and its symbiotic and weird and I don’t understand the celebrity of it.
• [on being labeled “difficult”] It was like armor. It kept the fainthearted at a distance. But perhaps I was too tough.
• [on Bernardo Bertolucci] For me, Bernardo is The Function. The only way I can explain it is in the analogy with mathematics and the word ‘function’ – addition, subtraction, multiplication, anything that numbers go through and change because of it. And when the function is a function of love, the drapes on the windows, the doors that are hung, the characters, the clothes, everything goes through this function and comes out touched and inspired by it. There are a lot of numbers but what really matters is the function.
• I have trouble with star billing. I remember thinking on Cannery Row (1982): How can I put my name ahead of Steinbeck’s?
• [on her early roles in commercials] I was the all-American face. You name it, honey – American Dairy Milk, Metropolitan Life insurance, McDonald’s, Burger King. The Face That Didn’t Matter – that’s what I called my face.

Debra Lynn Winger Important Facts

• $2,000,000
• $3,000,000
• $2,500,000
• $150,000
• She didn’t get along with her leading man Richard Gere during the making of the hit film An Officer and a Gentleman (1982). She publicly called him a “brickwall”, while he said there was “tension” between them. He played the title role, had top billing, had more screen time and earned a larger salary than her, while hers was just a love interest role. Still, he reacted badly when he realized that she was stealing every scene she was in with her charisma and acting talent that resulted in a Best Actress Oscar nomination for her, while he wasn’t nominated at all. Thirty years later, they patched things up when she presented him with an award at the Rome Film Festival.
• In spite of her reputation of being difficult, several people repeatedly worked with her because of her talent: filmmaker James Bridges( Urban Cowboy (1980) and Mike’s Murder (1984)), actors Nick Nolte( Cannery Row (1982) and Everybody Wins (1990)) and Gabriel Byrne( A Dangerous Woman (1993) and In Treatment (2008)), actresses Angie Dickinson ( Police Woman: Task Force: Cop Killer: Part 1 (1976) and Big Bad Love (2001)) and Rosanna Arquette (Big Bad Love (2001) and Searching for Debra Winger (2002)), writer/actor David Mamet ( Black Widow (1987) and the stage play “The Anarchist” (2012)), her first husband Timothy Hutton((Made in Heaven (1987) and Betrayed (1988)) and current husband Arliss Howard(Wilder Napalm (1993), Big Bad Love (2001), Dawn Anna (2005)), the stage plays “How I Learned To Drive” (1998) and “Ivanov” (1999)).
• She was angry when director Penny Marshall cast Madonna in A League of Their Own (1992) telling her, “You’re making an Elvis movie.” Marshall didn’t know what that meant, which frustrated Winger even more, since she dropped out of the film and Geena Davis got her role. Madonna was no fan of Winger either, since she told Carrie Fisher that one of her nicknames was Kit Moresby, a character from a novel she loved, until she saw the film adaptation of that novel where Winger played Kit in The Sheltering Sky (1990). She told Fisher, “I didn’t want to be Kit Moresby anymore, because it was so disappointing. I didn’t want people to think that I was Debra Winger.” What’s ironic is that both their ex-husbands Timothy Hutton and Sean Penn worked together twice in Taps (1981) and The Falcon and the Snowman (1985) and became friends.
• She had a on-and-off relationship with Senator Bob Kerrey from 1982 to 1990, but she never married him contrary to persistent rumors, although they remained friends. She picked husbands, who, like her, were also actors. Unlike her, both Timothy Hutton and Arliss Howard were both Gentiles. However, she raised the sons she had with them in Jewish faith.
• She had seen her first husband actor Timothy Hutton on TV when he accepted the Academy Award for Best Supporting Actor for Ordinary People (1980) and fell in love with him. She met him in person two years later in 1983 for a film that they were supposed to be cast in called “Road Show” but it was revamped and made with different actors a decade later under a new title Medicine Man (1992). Hutton later said they talked for six hours about everything at that first meeting, and Winger said there was so much electricity between them that they got scared and ran in opposite directions. They kept running into each other once every six months, and Hutton later described these encounters “like turning magnets around.” They finally stuck together when Winger emceed Farm Aid on New Year’s Eve in 1986 and Hutton was one of the guests. Almost immediately, they started living together and married just three months later. Despair followed the happy occasion. Her orthodox Jewish grandmother stopped talking to her, because Hutton wasn’t Jewish. Worse, Winger miscarried when she got pregnant on her wedding night. She got pregnant again and gave birth to their son Noah Hutton in 1987, but just a year later, they separated and divorced two years later. During their short marriage, they appeared together in two films (Made in Heaven (1987) and Betrayed (1988)) that flopped at the box office, as well as a “Life” magazine cover. A decade after their divorce, Winger (married to her second husband Arliss Howard) said that there was “no bad blood” between them.
• She spent a good part of the 1980s trying to get the studios to cast her in a biography of the torch-singer Libby Holman, and another on Isabel Eberhardt, a 19th-century mystic who became involved in fighting religious wars in the Middle East. But she had burned bridges with influential Hollywood people with her outspokenness, and the studios were also reluctant to finance female-driven films, so the two biographies were never made.
• When she was 14, her father had installed a burglar alarm for the celebrated director George Cukor and told him that his daughter wanted to be a actress. Cukor looked at Winger and told her, “That voice, and you got no walk and you got no class!” She suspected that her father might have put Cukor up to this, in order to discourage her from pursuing a acting career. Cukor was still alive when Winger became a star with Urban Cowboy (1980) but he didn’t get a chance to know about her first Oscar nomination as Best Actress for An Officer and a Gentleman (1982), since the nomination was announced a few days after he died.
• Friends with Sheena Easton.
• Directed by eight Academy Award winners: Steven Spielberg, Jonathan Demme, James L. Brooks, Taylor Hackford, Costa-Gavras, Bernardo Bertolucci, David S. Ward and Richard Attenborough.
• She was originally signed to play Peggy Sue Bodell in Peggy Sue Got Married (1986) but was forced to withdraw after her back was severely injured in a bicycle accident. Debra missed out on other roles, due to the many months it took her to fully recover.
• She also turned down the role of Alex Forrest in Fatal Attraction (1987), which went to Glenn Close.
• She also turned down Karen Allen’s role in Raiders of the Lost Ark (1981), which turned out to be one of the highest grossing films of all time.
• Her notorious off-camera clashes with equally mercurial Shirley MacLaine brought out the best in both actresses in the complexity of their on-camera contentious mother/daughter relationship during the making of their Oscar-winning film Terms of Endearment (1983). When MacLaine nabbed the Best Actress Oscar instead of fellow nominee Winger in 1984 and famously shouted, “I deserve this!,” she managed to address her co-star as “dear Debra” despite the fact there was no love lost between them.
• In 1995, she appeared in London, Washington, and New York with both the London Symphony and the New World Symphony under the direction of Michael Tilson Thomas, performing his composition based on the life of Anne Frank.
• She became notorious for turning down worthy roles in many popular films, such as Jodie Foster’s roles in Taxi Driver (1976), The Accused (1988) and The Silence of the Lambs (1991), Brooke Shields’ roles in Pretty Baby (1978) and The Blue Lagoon (1980), Liza Minnelli’s role in Arthur (1981), Daryl Hannah’s role in Splash (1984), Linda Hamilton’s role in The Terminator (1984), Sissy Spacek’s roles in Marie (1985) and Crimes of the Heart (1986), Kathleen Turner’s role in Peggy Sue Got Married (1986), Barbra Streisand’s role in Nuts (1987), Susan Sarandon’s role in Bull Durham (1988), Michelle Pfeiffer’s role in The Fabulous Baker Boys (1989), Jessica Lange’s role in Music Box (1989), Julia Roberts’ role in Pretty Woman (1990), Demi Moore’s role in Ghost (1990), Geena Davis’ roles in Thelma & Louise (1991) and A League of Their Own (1992), Sharon Stone’s role in Basic Instinct (1992), Ellen Barkin’s role in This Boy’s Life (1993), Meg Ryan’s role in Sleepless in Seattle (1993) and When a Man Loves a Woman (1994), Sandra Bullock’s role in Speed (1994) and Nicole Kidman’s role in To Die For (1995).
• She was given the choice of the two roles in Black Widow (1987); she chose the role of the FBI agent, because she didn’t understand the motivation as to why the Black Widow kills, so the title role went to Theresa Russell.
• Didn’t like working with Lynda Carter on Wonder Woman (1975) but Lynda said that they didn’t have any problems and was like a big sister to her.
• At first, she was excited about winning the role of Wonder Girl on the television series Wonder Woman (1975) but quickly became disillusioned and spent all her salary from the series to hire an attorney to get her out of her contract.
• James L. Brooks wrote Broadcast News (1987) especially for her, but she turned it down because she was pregnant with her son Noah Hutton, and the role went to Holly Hunter, who was nominated for an Oscar for it.
• Gave birth to her 2nd child at age 42, a son Babe Howard on June 15, 1997. Child’s father is her 2nd husband, Arliss Howard.
• Gave birth to her 1st child at age 31, a son Emmanuel Noah Hutton (aka Noah Hutton) on April 29, 1987. Child’s father is her 1st (now ex) husband, Timothy Hutton.
• Sister-in-law of actor/writer Jim Howard.
• Had a romance with then-Governor of Nebraska Bob Kerrey during the filming of Terms of Endearment (1983).
• Attended and graduated from James Monroe High School in Sepulveda, California in 1973.
• Attended and graduated from Oliver Wendell Holmes Junior High School in Northridge, California in 1970.
• Daughter of Robert and Ruth Winger.
• Born at 5:15pm-EDT

Debra Lynn Winger Filmography

Debra Lynn Winger Awards